underworld

简明释义

英[ˈʌndəwɜːld]美[ˈʌndərwɜːrld]

n. 黑社会；地狱；下层社会；尘世

英英释义

单词用法

同义词

反义词

例句

1.Shades: Throughout ancient history, Shades meant the spirit of a dead person, residing in the underworld.

鬼魂：远古时代，人们认为鬼魂是生活在地下世界的死者的魂魄。

2.It's first of all a depiction of an underworld, and so it provides Milton with an important Christian representation of hell.

首先，这是对地狱的描述，这为弥尔顿提供了基督教式地狱的重要描述。

3.Just at that moment, Hermes arrived in the underworld.

就在此刻，赫耳墨斯到达地府。

4.They were designed to guide the deceased through the perils of the underworld, and ultimately bring them eternal life.

它们是用来指引死者通过冥界的危险地带，并最终使死者得以永生。

5.Orpheus was the poet who had attempted to bring his wife, Eurydice, back from the underworld, and he did that by charming Pluto with his song.

俄耳甫斯是一位诗人，他曾试图将妻子欧律狄刻从阴间救回，他用歌声迷惑了Pluto。

6.The abode of the dead identified with the Hebrew sheol and the Greek hades; the underworld.

阴间，冥府死者居住的地方，与犹太人的阴司和希腊人的阴世相同；冥府。

7.It's an underworld filled with gold that a brigade of fallen angels begins to extract with spades and pick axes.

在这个地狱一群堕落天使们可以拿着铲子和锤子，挖取地下的金矿。

8.The detective was sent to investigate the criminal activities in the underworld.

侦探被派去调查黑暗世界中的犯罪活动。

9.Many movies depict the underworld as a place filled with danger and intrigue.

许多电影将黑暗世界描绘成一个充满危险和阴谋的地方。

10.He had connections to the underworld that helped him evade the law.

他与黑暗世界有联系，这帮助他逃避法律制裁。

11.In ancient mythology, the underworld was often seen as a realm of the dead.

在古代神话中，黑暗世界常常被视为死者的领域。

12.The novel explores the lives of people involved in the city's underworld.

这部小说探讨了参与城市黑暗世界人们的生活。

作文

The concept of the underworld has fascinated humanity for centuries. It often conjures images of a hidden realm beneath our feet, a place where the rules of society do not apply, and where the most nefarious characters reside. In literature and mythology, the underworld is frequently depicted as a dark and mysterious domain, inhabited by spirits, demons, and the souls of the deceased. This portrayal can be seen in various cultures, from the Greek Hades to the Egyptian Duat, each representing a unique interpretation of what lies beyond the mortal coil. In modern times, the term underworld has evolved to encompass more than just the afterlife. It is often used to describe the criminal underbelly of society, where illegal activities thrive away from the watchful eyes of law enforcement. Organized crime syndicates, drug trafficking networks, and human trafficking operations are all part of this underworld, a shadowy world that operates on the fringes of legality and morality. The allure of the underworld is not only in its danger but also in its complexity. Many individuals find themselves drawn into this world due to a variety of factors, including socioeconomic conditions, lack of opportunity, and the influence of peer pressure. Once entangled in its web, escaping the underworld can be a daunting task. The consequences of involvement can be severe, leading to imprisonment, violence, or even death. Moreover, the underworld serves as a reflection of societal issues. It highlights the disparities that exist within communities, where some individuals resort to crime as a means of survival. This reality raises important questions about justice, rehabilitation, and the effectiveness of law enforcement. Are we doing enough to address the root causes that drive people into the underworld? Or are we merely treating the symptoms while ignoring the underlying problems? In popular culture, the underworld has been romanticized in films, books, and music, often depicting antiheroes who navigate this treacherous landscape. Characters like Tony Montana from "Scarface" or Walter White from "Breaking Bad" exemplify the allure of the underworld, showcasing both the power and the peril that come with such a lifestyle. These narratives captivate audiences, allowing them to explore the darker side of human nature without facing real-life consequences. Despite its many representations, the underworld remains a complex and multifaceted concept. It evokes fear, curiosity, and intrigue, prompting us to question our understanding of morality and legality. As we delve deeper into the shadows of the underworld, we must also confront the realities that lie beneath the surface of our society. Ultimately, the underworld serves as a reminder of the duality of human existence, where light and darkness coexist, and where the choices we make can lead us down very different paths. In conclusion, the underworld is not just a physical space; it is a metaphor for the struggles and challenges faced by individuals in society. By examining its various interpretations, we gain insight into the human condition and the complexities of life. Whether it is in the context of mythology, crime, or personal struggle, the underworld remains an integral part of our collective narrative, urging us to reflect on our choices and the world around us.

“underworld”这个概念几个世纪以来一直吸引着人类。它常常让人联想到我们脚下隐藏的领域，一个社会规则不再适用的地方，最卑鄙的人物栖息于此。在文学和神话中，underworld通常被描绘为一个黑暗而神秘的领域，居住着灵魂、恶魔和死者的灵魂。这种描绘在不同文化中都有体现，从希腊的哈迪斯到埃及的杜阿特，每一种都代表了对超越凡尘的独特解读。 在现代，underworld的含义已经演变，不再仅仅指代来世。它常常被用来描述社会的犯罪阴暗面，在这里，非法活动在执法部门的视线之外蓬勃发展。组织犯罪集团、毒品贩运网络和人口贩卖活动都是这一underworld的一部分，这个阴影世界在法律和道德的边缘运行。 underworld的魅力不仅在于它的危险性，也在于它的复杂性。许多人因各种因素被吸引进入这个世界，包括社会经济条件、机会缺乏和同龄人的影响。一旦陷入其网络，逃离underworld可能是一个艰巨的任务。参与的后果可能是严重的，导致监禁、暴力甚至死亡。 此外，underworld还反映了社会问题。它突显了社区内存在的不平等，有些人将犯罪作为生存手段。这一现实引发了关于正义、康复和执法有效性的重要问题。我们是否在努力解决推动人们进入underworld的根本原因？还是我们仅仅在治疗症状，而忽视了潜在问题？ 在流行文化中，underworld在电影、书籍和音乐中被浪漫化，常常描绘那些在这条危险道路上徘徊的反英雄人物。像《疤面煞星》中的托尼·蒙塔纳或《绝命毒师》中的沃尔特·怀特这样的角色，体现了underworld的魅力，展示了这种生活方式所带来的权力与危险。这些叙述吸引了观众，使他们能够探索人性阴暗的一面，而无需面对现实生活的后果。 尽管有许多表现形式，underworld仍然是一个复杂而多面的概念。它唤起恐惧、好奇和兴趣，促使我们质疑对道德和法律的理解。当我们深入underworld的阴影时，我们还必须面对潜藏在社会表面之下的现实。最终，underworld提醒我们人类存在的二元性，光明与黑暗共存，我们所做的选择可以将我们引向截然不同的道路。 总之，underworld不仅仅是一个物理空间；它是对个人在社会中面临的斗争和挑战的隐喻。通过审视其各种解释，我们获得了对人类状况和生活复杂性的洞察。无论是在神话、犯罪还是个人斗争的背景下，underworld始终是我们共同叙事的重要组成部分，促使我们反思自己的选择和周围的世界。