auteur

简明释义

英[əʊˈtɜː(r);ɔːˈtɜː(r)]美[oʊˈtɜːr]

n. 电影导演

复 数 a u t e u r s

英英释义

单词用法

同义词

反义词

例句

1.The difficulty with movies, however, is that their very massiveness and complexity work against their having such an auteur.

而电影在这方面所遇到的困难是，它那工作的庞大规模与繁杂性是跟这样单独一个作者相对立的。

2.I believe this is an auteur principle and one I stand by.

我相信并坚持这是导演该有的原则。

3.Pudgy Charles is the director, with the quick mind, bossiness and vast reserves of movie lore that mark a budding auteur.

思维敏捷、知识渊博的小胖墩查尔斯是影片导演。

4.Could this fate befall James Cameron, Hollywood's most daring and extravagant auteur?

这个厄运有可能降临詹姆斯·卡梅伦这位好莱坞最大胆、最敢花钱的大导演身上吗？

5.The reason is simple: with VR you have a user; with film you have an auteur.

原因非常简单，在VR里，你是一个用户，在影片里，你是一个导演。

6.What was the prominent characteristic in the landscape the auteur chose to weave into the storyline?

是什么突出特点的景观的导演选择编织成的故事？

7.Currently, the director is usually studied as an auteur of a film in the academic study of doing the film.

目前，学术界在做电影作者研究时，通常把电影导演作为研究对象。

8.When the whimsical techies at Pixar and a moody German auteur are sending out the same message, it may be time to pay attention.

当异想天开的皮克斯工程师和情绪化的德国导演发出同样的信息时，也许我们该报以注意了。

9.When I heard that this auteur sometimes took the lead in hisown pictures I envisioned a filmmaker-movie star as formidable as OrsonWelles and as handsome as Warren Beatty or John Cassavetes.

当我听说这位有着独特风格的电影导演在他自己的电影里演男主角的时候，我想像着一个像奥森·威尔斯[3]那样伟大的导演加明星，或者是华伦·比蒂[4]和约翰·卡萨维提[5]这样的帅男。

10.The film was praised for its unique style, which is typical of an auteur.

这部电影因其独特的风格而受到赞誉，这正是作者的典型特征。

11.Many consider Quentin Tarantino to be a true auteur in modern cinema.

许多人认为昆汀·塔伦蒂诺是现代电影中的真正作者。

12.An auteur often has a distinct vision that influences every aspect of their films.

一个作者通常有一个独特的视角，影响他们电影的每一个方面。

13.The director's work is a perfect example of how an auteur can shape a film's narrative.

这位导演的作品完美地展示了一个作者如何塑造电影叙事。

14.Film critics often analyze the themes and motifs that define an auteur's body of work.

影评人经常分析定义一个作者作品集的主题和意象。

作文

The term auteur refers to a filmmaker who has a distinct personal style and creative control over their work. This concept emerged in the French film criticism of the 1950s, particularly from the influential magazine "Cahiers du Cinéma." Critics like François Truffaut argued that a film should be viewed as the product of its director's vision, much like an author of a novel. An auteur is not just a director who oversees the technical aspects of filmmaking; they are an artist who imbues their films with their unique perspective and thematic concerns. One of the most notable examples of an auteur is Alfred Hitchcock, often referred to as the "Master of Suspense." Hitchcock's films are characterized by their psychological depth, innovative cinematography, and recurring themes of voyeurism and guilt. His distinctive style is evident in classics such as "Psycho" and "Rear Window," where he skillfully manipulates audience emotions through suspenseful storytelling and visual techniques. This level of artistic control is what defines him as an auteur. In contrast, many directors work within the constraints of a studio system, where creative decisions are often made collectively or dictated by producers. While these films can still be excellent, they may lack the personal touch that defines an auteur's work. For instance, a well-executed blockbuster may rely on formulaic plots and extensive marketing, whereas an auteur film often challenges conventions, explores complex themes, and invites deeper reflection. The auteur theory has its critics, who argue that it overlooks the collaborative nature of filmmaking. A film is typically the result of teamwork among various artists, including writers, cinematographers, editors, and actors. However, proponents maintain that the director's vision ultimately shapes the final product. This debate highlights the complexity of film as an art form and the various roles that contribute to its creation. In contemporary cinema, the auteur label has been applied to directors like Quentin Tarantino and Wes Anderson, both known for their idiosyncratic styles and thematic preoccupations. Tarantino’s films, such as "Pulp Fiction" and "Kill Bill," are marked by sharp dialogue, nonlinear narratives, and a blend of genres, while Anderson's works, like "The Grand Budapest Hotel," showcase a whimsical aesthetic and meticulous attention to detail. Each director's body of work reflects their individual artistic vision, solidifying their status as modern auteurs. The rise of streaming platforms has also changed the landscape for auteur filmmakers. With more opportunities to create original content, directors can explore niche stories that may not fit into traditional studio models. This shift allows for greater diversity in storytelling and the emergence of new auteurs who challenge mainstream conventions. As audiences increasingly seek out unique narratives, the significance of the auteur in film continues to evolve. In conclusion, the concept of the auteur remains a vital part of film discourse. It emphasizes the importance of individual vision in a medium often perceived as collaborative. Understanding the role of the auteur enhances our appreciation of cinema as an art form, allowing us to recognize the distinct voices that shape the stories we see on screen. Ultimately, the legacy of the auteur theory encourages both filmmakers and audiences to value creativity and personal expression in the world of film.

“auteur”一词指的是一种具有独特个人风格和对其作品拥有创作控制权的电影制作人。这个概念出现在20世纪50年代的法国电影批评中，尤其是在影响力巨大的杂志《电影手册》中。评论家弗朗索瓦·特吕弗（François Truffaut）认为，电影应该被视为导演视野的产物，就像小说的作者一样。auteur不仅仅是监督电影技术方面的导演；他们是一位艺术家，将其独特的视角和主题关切融入到自己的电影中。 阿尔弗雷德·希区柯克（Alfred Hitchcock）是最著名的auteur之一，常被称为“悬疑大师”。希区柯克的电影以其心理深度、创新的摄影技巧和反复出现的偷窥与罪疚主题而著称。他在经典影片《惊魂记》和《后窗》中展示了自己独特的风格，通过悬疑叙事和视觉技巧巧妙地操控观众情感。这种艺术控制的水平正是定义他作为auteur的原因。 相比之下，许多导演在制片厂体系的约束下工作，创作决定往往是集体做出的或由制片人决定。虽然这些电影仍然可以是优秀的，但它们可能缺乏auteur作品所特有的个人色彩。例如，一部成功的大片可能依赖于公式化的情节和广泛的市场营销，而auteur电影则常常挑战常规，探索复杂的主题，并邀请更深入的反思。 auteur理论有其批评者，他们认为这一理论忽视了电影制作的合作性质。一部电影通常是各种艺术家的团队合作的结果，包括编剧、摄影师、剪辑师和演员。然而，支持者坚持认为，导演的视野最终塑造了最终产品。这场辩论突显了电影作为一种艺术形式的复杂性以及对其创作贡献的各种角色。 在当代电影中，auteur标签已被应用于昆汀·塔伦蒂诺（Quentin Tarantino）和韦斯·安德森（Wes Anderson）等导演，他们都以其特立独行的风格和主题关注而闻名。塔伦蒂诺的电影，如《低俗小说》和《杀死比尔》，以犀利的对话、非线性叙事和多种类型的结合为特征，而安德森的作品，如《布达佩斯大饭店》，则展示了一种奇幻的美学和对细节的精心关注。每位导演的作品都反映了他们个体的艺术视野，巩固了他们作为现代auteur的地位。 流媒体平台的崛起也改变了auteur电影制作人的格局。随着原创内容创作机会的增加，导演可以探索那些可能不符合传统制片模式的小众故事。这种转变允许叙事的多样性以及新auteur的出现，他们挑战主流常规。随着观众越来越寻求独特的叙事，auteur在电影中的重要性继续演变。 总之，auteur的概念仍然是电影话语的重要组成部分。它强调了在一个常被视为合作的媒介中个人视野的重要性。理解auteur的角色增强了我们对电影作为一种艺术形式的欣赏，使我们能够识别塑造我们在银幕上看到的故事的独特声音。最终，auteur理论的遗产鼓励电影制作人和观众在电影世界中重视创造力和个人表达。