captor

简明释义

英[ˈkæptə(r)]美[ˈkæptər]

n. 捕获者，俘虏他人者

n. （Captor）（美）凯普托尔（人名）

复 数 c a p t o r s

英英释义

单词用法

同义词

反义词

例句

1.He could never ever give any responses to his captor other than name, rank, serial number and date of birth.

除了自己的姓名、军衔、编号和出生日期外，他绝不可能向捕获他的人透露其他任何信息。

2.The Geneva Convention recognizes that a POW may have the duty to attempt escape. In fact, the Geneva Convention prohibits a captor nation from executing a POW simply for attempting escape.

日内瓦协议承认战俘有逃脱的义务，并禁止敌方处决仅仅尝试逃跑的战俘。

3.We hope you agree that screenshot Captor is in fact a full featured screenshot program with some unique features.

我们希望您同意截图捕手其实是一个完整的具有一些独特的功能特色截图程序。

4.His captor returned shortly, carrying two tankards and a roasted duck.

他的补货者一会儿就回来了，拿着两个啤酒杯和一只烧鸭。

5.His captor was the enigmatic Vergere, who puzzled him with queries and riddles as Jacen drowned in his pain and sorrow.

抓他的人是神秘的维婕尔，当杰森沉浸在痛苦与悔恨中时，她的质问和一些谜一样的话令杰森非常迷惑。

6.US woman, kidnapped as a child and held for 18 years, bonded with her alleged captor and helped to run his printing firm, according to reports.

报道称，孩童时期被绑架并且被拘禁18年的美国妇女，帮助运营其绑架嫌疑人的印刷公司。

7.His captor was the enigmatic Vergere, who puzzled him with queries and riddles as Jacen drowned in his pain and sorrow.

抓他的人是神秘的维婕尔，当杰森沉浸在痛苦与悔恨之中时，她的质问和一些谜一样的话令杰森非常迷惑。

8.An experimental in Denmark that USES monoethanolamine as the captor has been running for two years.

丹麦一家使用单乙醇胺做二氧化碳吸收剂的实验厂已经运行了两年。

9.The captain's caption for Lucy was "capacity to forgive and love her captor."

他在脑子里给这个想法写下的说明是：“能力无限的动物。”

10.The hostage was able to escape from her captor.

人质成功从她的囚禁者手中逃脱。

11.The police managed to track down the captor after a lengthy investigation.

经过长时间的调查，警方设法追踪到了囚禁者。

12.She lived in fear of her captor returning.

她生活在对她的囚禁者会回来的恐惧中。

13.The movie depicted the struggles of the victim against their captor.

这部电影描绘了受害者与其囚禁者斗争的故事。

14.In some cases, the captor may develop a bond with their captive.

在某些情况下，囚禁者可能会与他们的囚徒建立一种联系。

作文

In the realm of literature and film, the concept of a captor (捕获者) often serves as a powerful narrative device. A captor is typically defined as an individual or entity that seizes and holds another against their will, creating a dynamic of power and control. This relationship can be explored in various contexts, from psychological thrillers to historical dramas, and it raises profound questions about morality, freedom, and the human condition. One of the most compelling examples of a captor (捕获者) can be found in the classic novel "The Count of Monte Cristo" by Alexandre Dumas. In this story, the protagonist, Edmond Dantès, is wrongfully imprisoned by his so-called friends, who act as his captors (捕获者). Their betrayal not only leads to his physical confinement but also to a profound transformation of his character. The role of the captor (捕获者) is not merely to restrain; it is also to provoke change, forcing the victim to confront their own limitations and desires. Moreover, the portrayal of captors (捕获者) in modern media often reflects societal fears and anxieties. For instance, in many contemporary films, the captor (捕获者) is depicted as a complex villain, whose motivations may stem from personal trauma or societal pressures. This complexity adds depth to the narrative, challenging viewers to empathize with characters that might otherwise be seen as purely evil. The captor (捕获者) thus becomes a mirror reflecting the darker aspects of humanity, prompting audiences to question the nature of good and evil. In real life, the dynamics between a captor (捕获者) and their captive are equally intricate. Cases of kidnapping or hostage situations reveal the psychological manipulation that often occurs. The captor (捕获者) may exert control through fear, isolation, or emotional dependency, creating a bond that can complicate the victim's response. This phenomenon, sometimes referred to as Stockholm syndrome, illustrates how the captor (捕获者) can influence the psyche of their victim, leading to a complex interplay of emotions that can blur the lines between love and hate. Furthermore, the role of a captor (捕获者) extends beyond individual relationships; it can also represent systemic issues within society. For example, oppressive regimes can act as captors (捕获者) of entire populations, stifling freedom and autonomy. In such cases, the captor (捕获者) embodies the forces that seek to dominate and control, highlighting the struggle for liberation and justice. This broader interpretation encourages critical reflection on power structures and the resilience of the human spirit in the face of oppression. In conclusion, the term captor (捕获者) encompasses a wide range of meanings and implications, both in fiction and reality. Whether as a character in a gripping tale or as a representation of societal issues, the captor (捕获者) challenges us to explore the complexities of power, control, and human relationships. Understanding this term allows us to engage more deeply with narratives and realities that shape our world, reminding us of the delicate balance between freedom and captivity, and the enduring quest for autonomy in the face of adversity.

在文学和电影的领域中，captor（捕获者）的概念常常作为一种强大的叙事工具。captor 通常被定义为一个抓住并控制另一个人以其意愿的个人或实体，这种关系创造了权力和控制的动态。这种关系可以在各种背景下进行探讨，从心理惊悚片到历史剧，它引发了关于道德、自由和人类状况的深刻问题。 在亚历山大·仲马的经典小说《基督山伯爵》中，可以找到对captor（捕获者）最引人注目的例子。在这个故事中，主人公埃德蒙·唐泰斯被他所谓的朋友错误地监禁，他们充当了他的captors（捕获者）。他们的背叛不仅导致了他的身体囚禁，还使他的性格发生了深刻的转变。captor（捕获者）的角色不仅仅是限制；它还激发变化，迫使受害者面对自己的局限和欲望。 此外，现代媒体中对captors（捕获者）的描绘往往反映了社会的恐惧和焦虑。例如，在许多当代电影中，captor（捕获者）被描绘为一个复杂的反派，其动机可能源于个人创伤或社会压力。这种复杂性为叙事增添了深度，挑战观众去同情那些本可能被视为纯粹邪恶的角色。因此，captor（捕获者）成为反映人性阴暗面的一面镜子，促使观众质疑善与恶的本质。 在现实生活中，captor（捕获者）与其俘虏之间的动态同样错综复杂。绑架或人质事件的案例揭示了通常发生的心理操控。captor（捕获者）可能通过恐惧、孤立或情感依赖来施加控制，形成一种可能会使受害者反应复杂化的纽带。这种现象有时被称为斯德哥尔摩综合症，说明了captor（捕获者）如何影响受害者的心理，导致爱与恨之间的复杂交织。 此外，captor（捕获者）的角色超越了个体关系；它也可以代表社会中的系统性问题。例如，压迫政权可以作为整个社会的captors（捕获者），扼杀自由和自主。在这种情况下，captor（捕获者）体现了那些试图主宰和控制的力量，突显了争取解放和正义的斗争。这种更广泛的解释鼓励我们对权力结构和人类精神在压迫面前的韧性进行批判性反思。 总之，术语captor（捕获者）涵盖了广泛的含义和影响，无论是在虚构还是现实中。无论是作为引人入胜的故事中的角色，还是作为社会问题的表现，captor（捕获者）都挑战我们探索权力、控制和人际关系的复杂性。理解这个术语使我们能够更深入地参与塑造我们世界的叙事和现实，提醒我们在自由与囚禁之间的微妙平衡，以及在逆境中追求自主的持久追求。