cento

简明释义

英[ˈsentəʊ]美[ˈsentoʊ]

n. 摘录，集句；组曲；杂烩

复 数 c e n t o s 或 c e n t o n e s

英英释义

单词用法

同义词

反义词

例句

1.To help preserve literary traditions and promote new writers, Mr. Calvino edited a fiction series called "Cento Pagi" (One Hundred Pages), short novels that are published by Giulio Einaudi in Turin.

为了帮助人们保留文学传统，同时也为了促进新的作家的诞生，卡尔·维诺先生编辑了一部小说集，名为《CentoPagi》(《一百页》)，收录的是短篇小说，由GiulioEinaudi在都灵的公司出版。

2.To help preserve literary traditions and promote new writers, Mr. Calvino edited a fiction series called "Cento Pagi" (One Hundred Pages), short novels that are published by Giulio Einaudi in Turin.

为了帮助人们保留文学传统，同时也为了促进新的作家的诞生，卡尔·维诺先生编辑了一部小说集，名为《CentoPagi》(《一百页》)，收录的是短篇小说，由GiulioEinaudi在都灵的公司出版。

3.Piano cento "the Beautiful Horchin Girls" has the feature of Horchin grassland character and is near to life with its fresh style and very full-bodied taste of Mongolian folk music.

钢琴组曲《多姿的科尔沁姑娘》，浓缩了科尔沁草原的“人物”特点，风格新颖贴近生活，具有浓郁蒙古族民间音乐的韵味。

4.This part also argues about the background, the material and the characteristics of "Mongolian Youth Piano Cento".

这一部分简单阐述了李世相《蒙古族风格少年钢琴组曲集》的创作背景、作品的题材内容及作品的特征。

5.Bach s unaccompanied cello cento has precise structure, and has philosophical and logical senses.

巴赫无伴奏大提琴组曲结构严谨，富于哲理性和逻辑性。

6.If the article from other website cento, must change change a head to change seek a range.

如果从别的网站摘录的文章，一定要改改头换找面。

7.Be as follows all sorts of viewpoint cento now.

现将各种观点摘录如下。

8.The poet created a new work by combining lines from various sources, resulting in a beautiful cento.

这位诗人通过结合来自不同来源的诗句，创作出了一部美丽的百拼诗。

9.In literature classes, we often analyze centos to understand how authors can reinterpret existing texts.

在文学课上，我们经常分析百拼诗，以理解作者如何重新诠释现有文本。

10.The artist's latest exhibition featured a cento of quotes from famous philosophers.

这位艺术家的最新展览展示了一段来自著名哲学家的百拼诗。

11.She submitted a cento for the poetry contest, cleverly weaving together lines from classic literature.

她为诗歌比赛提交了一首百拼诗，巧妙地编织了经典文学中的诗句。

12.The professor explained that a cento is not just a collage, but a new creation with its own meaning.

教授解释说，百拼诗不仅仅是拼贴，而是具有自己意义的新创作。

作文

In the realm of literature, the term cento (拼凑诗) holds a unique place. It refers to a literary work that is composed entirely of lines or passages taken from other authors' works. The cento is not merely a patchwork; it is an art form that requires creativity and skill. Writers use this technique to create new meanings and interpretations by juxtaposing different texts. This method can be seen as a homage to the original authors while also serving as a commentary on their works. One of the most famous examples of a cento is 'The Cento of St. Paul,' which consists of verses from the letters of St. Paul arranged in a way that forms a new narrative. This illustrates how a cento can take existing material and transform it into something fresh and engaging. The challenge lies in the selection and arrangement of the lines; the writer must find a cohesive thread that binds the disparate elements together. In contemporary literature, the cento has evolved and found its place in various genres, including poetry, prose, and even visual art. Many modern poets engage with the cento form to highlight the interconnectedness of texts and to explore themes of originality and authorship. For instance, a poet might take lines from classic literature, pop culture references, and personal anecdotes to create a new piece that resonates with readers on multiple levels. Moreover, the cento challenges traditional notions of authorship. In a world where originality is often celebrated, the cento invites us to reconsider what it means to create. Is it possible to create something entirely new, or are we all just remixing ideas that have come before us? This question is particularly relevant in today's digital age, where information is readily available, and borrowing from others is commonplace. In addition, centos can serve as a powerful tool for social commentary. By selecting specific lines from various texts, a writer can create a cento that reflects societal issues, personal experiences, or cultural critiques. For example, a poet might compile lines about love from different authors to showcase the multifaceted nature of love itself. This kind of work encourages readers to think critically about the sources and contexts of the words being used. Ultimately, the cento is more than just a collection of borrowed lines; it is a testament to the power of language and the creative possibilities that arise when we engage with the works of others. As writers and readers, we are part of an ongoing conversation that spans generations and cultures. The cento embodies this dialogue, reminding us that literature is a living, breathing entity that evolves over time. Through the lens of the cento, we can appreciate the beauty of language, the richness of intertextuality, and the endless potential for new creations that build upon the foundations laid by those who came before us. In conclusion, the cento is a fascinating literary device that challenges our understanding of creativity and authorship. It encourages us to embrace the idea that all writing is interconnected and that new meanings can emerge from the careful arrangement of existing texts. As we continue to navigate the complexities of literature and expression, the cento will undoubtedly remain a significant aspect of our literary landscape.

在文学领域，术语cento（拼凑诗）占有独特的位置。它指的是完全由其他作者的作品中的诗句或段落组成的文学作品。cento不仅仅是一个拼凑；它是一种艺术形式，需要创造力和技巧。作家使用这种技巧，通过并置不同的文本来创造新的意义和解释。这种方法可以被视为对原作者的致敬，同时也作为对其作品的评论。 一个著名的例子是《圣保罗的拼凑诗》，它由圣保罗书信中的诗句组成，以一种形成新叙事的方式排列。这说明了如何将现有材料转化为新鲜而引人入胜的东西。挑战在于选择和排列这些诗句；作家必须找到一个将这些不同元素联系在一起的连贯线索。 在当代文学中，cento已经演变，并在各种体裁中找到了自己的位置，包括诗歌、散文甚至视觉艺术。许多现代诗人利用cento形式来突出文本之间的相互联系，并探索原创性和作者身份的主题。例如，一位诗人可能会从经典文学、流行文化参考和个人轶事中提取诗句，以创作出一篇与读者在多个层面上产生共鸣的新作品。 此外，cento挑战了传统的作者身份观念。在一个原创性常常受到赞美的世界里，cento邀请我们重新考虑创造的意义。创造一些完全新的东西是否可能，还是我们都只是在重混之前的想法？这个问题在今天的信息时代尤为相关，在这个时代，信息触手可及，借用他人的作品已经成为常态。 此外，centos可以作为社会评论的强大工具。通过选择特定的诗句，作家可以创造出反映社会问题、个人经历或文化批评的cento。例如，一位诗人可能会汇编关于爱的诗句，以展示爱的多面性。这种作品鼓励读者批判性地思考所使用的词语的来源和背景。 最终，cento不仅仅是借用诗句的集合；它证明了语言的力量以及当我们与他人的作品互动时所产生的创造可能性。作为作家和读者，我们都是跨越世代和文化的持续对话的一部分。cento体现了这种对话，提醒我们文学是一个不断发展、呼吸的实体，随着时间的推移而演变。通过cento的视角，我们可以欣赏语言的美、互文性的丰富性，以及基于前人奠定的基础而创造的新作品的无尽潜力。 总之，cento是一个迷人的文学工具，它挑战了我们对创造力和作者身份的理解。它鼓励我们接受所有写作都是相互关联的这一观点，并且通过对现有文本的仔细排列，可以产生新的意义。当我们继续驾驭文学和表达的复杂性时，cento无疑将在我们的文学景观中保持重要地位。