dybbuk

简明释义

英[ˈdɪbʊk]美[ˈdɪbʊk]

n. 恶灵，附在活人身上的罪人死后的灵魂

复 数 d y b b u k s 或 d y b b u k i m

英英释义

单词用法

同义词

反义词

例句

1.In Jewish folklore, a dybbuk 恶灵 is said to possess the living.

在犹太民间传说中，一个dybbuk 恶灵 被认为会附身于活人。

2.The movie featured a dybbuk 恶灵 that haunted a young girl.

这部电影中有一个dybbuk 恶灵 纠缠着一个年轻女孩。

3.Many believe that a dybbuk 恶灵 can only be exorcised through a rabbi's intervention.

许多人相信，只有通过拉比的干预才能驱除dybbuk 恶灵。

4.The legend of the dybbuk 恶灵 has been passed down for generations.

关于dybbuk 恶灵 的传说已经流传了几代人。

5.In her dreams, she felt the presence of a dybbuk 恶灵 trying to communicate with her.

在她的梦中，她感受到一个dybbuk 恶灵 试图与她沟通的存在。

作文

The concept of a dybbuk is deeply rooted in Jewish folklore, particularly within the Hasidic tradition. A dybbuk is believed to be the dislocated spirit of a deceased person that possesses the body of a living individual. This phenomenon is often depicted as a malevolent force, causing distress and turmoil in the life of the host. The origins of the term can be traced back to the Hebrew word 'dibbuk', which means 'to cling' or 'to attach'. This etymology reflects the nature of a dybbuk: it is a spirit that clings to the living, seeking resolution for unfinished business or unresolved issues from its past life. In literature and theater, the dybbuk has been portrayed as both a source of horror and a symbol of the struggles faced by the Jewish people. One of the most famous representations of a dybbuk can be found in S. Ansky's play "The Dybbuk", written in the early 20th century. The play tells the story of a young bride possessed by the spirit of her dead lover, illustrating the themes of love, loss, and the supernatural. This narrative not only captivates audiences with its dramatic elements but also serves as a reflection on the cultural and spiritual dilemmas faced by Jewish communities during that time. The idea of a dybbuk resonates with many because it embodies the human experience of grief and longing. When someone we love passes away, it is common to feel their presence in our lives, whether through memories or dreams. The dybbuk symbolizes this connection, albeit in a more haunting and tangible form. It raises questions about what happens to our souls after death and how they may linger among the living, seeking closure. In contemporary culture, the dybbuk has been referenced in various films, books, and television shows, often serving as a metaphor for unresolved trauma or the impact of history on personal identity. For instance, the horror film "The Possession" is loosely based on the concept of a dybbuk, exploring themes of possession and the struggle between good and evil. Such portrayals keep the legend alive, inviting new generations to engage with these ancient beliefs. Additionally, the dybbuk reflects broader themes in psychology and spirituality. Many psychologists argue that unresolved issues from our past can manifest in our present lives, just as a dybbuk manifests in the life of its host. This perspective encourages individuals to confront their emotional baggage and seek healing, much like the characters in stories involving a dybbuk must do to rid themselves of their tormentor. In conclusion, the dybbuk serves as a powerful symbol within Jewish folklore and beyond. It represents the complexities of life, death, and the connections that bind us to those who have passed. Through literature, theater, and modern media, the dybbuk continues to intrigue and provoke thought about the nature of existence and the legacies we leave behind. As we explore these narratives, we are reminded of the importance of addressing our pasts and finding peace, lest we become haunted by our own dybbuks.

在犹太民间传说中，dybbuk的概念根深蒂固，特别是在哈西德传统中。dybbuk被认为是一个已故人士的离散灵魂，它附身于一个活着的个体。这种现象通常被描绘为一种恶意力量，给宿主的生活带来痛苦和动荡。这个术语的起源可以追溯到希伯来语单词'dibbuk'，意思是'粘附'或'附着'。这种词源反映了dybbuk的本质：它是一个附着于生者的灵魂，寻求解决未完成的事务或其过去生活中的未解问题。 在文学和戏剧中，dybbuk被描绘为恐怖的来源，同时也是犹太人民所面临斗争的象征。最著名的dybbuk表现之一可以在S. Ansky的剧作《dybbuk》中找到，该剧创作于20世纪初。该剧讲述了一位年轻新娘被她已故爱人的灵魂附身的故事，展现了爱情、失落和超自然的主题。这一叙事不仅以其戏剧性元素吸引观众，而且还反映了当时犹太社区所面临的文化和精神困境。 dybbuk的概念与许多人产生共鸣，因为它体现了人类对悲伤和渴望的体验。当我们所爱的人去世时，常常会感受到他们在我们生活中的存在，无论是通过记忆还是梦境。dybbuk象征着这种联系，尽管以一种更令人毛骨悚然和具体的形式出现。它提出了关于我们灵魂在死亡后会发生什么以及它们如何可能在生者中徘徊、寻求结束的问题。 在当代文化中，dybbuk已在各种电影、书籍和电视节目中被提及，常常作为未解决创伤或历史对个人身份影响的隐喻。例如，恐怖电影《附身》大致基于dybbuk的概念，探讨了附身和善恶之间斗争的主题。这些表现使这一传说得以延续，邀请新一代人参与这些古老信仰。 此外，dybbuk反映了心理学和精神性中的更广泛主题。许多心理学家认为，未解决的问题会在我们现在的生活中显现，就像dybbuk在其宿主的生活中显现一样。这种观点鼓励个人面对情感包袱并寻求治愈，就像涉及dybbuk的故事中的角色必须做的那样，以摆脱他们的折磨者。 总之，dybbuk在犹太民间传说及其他领域中都是一个强有力的象征。它代表了生活、死亡以及将我们与已故者相连的纽带的复杂性。通过文学、戏剧和现代媒体，dybbuk继续引发思考，关于存在的本质和我们留下的遗产。当我们探索这些叙事时，我们被提醒要重视处理我们的过去并寻找内心的平静，以免被自己的dybbuk所困扰。