embouchure

简明释义

英[ˌɒmbʊˈʃʊə(r)]美[ˌɑːmbʊˈʃʊr]

n. 河口；管乐器的吹口；运唇法

复 数 e m b o u c h u r e s

英英释义

单词用法

同义词

反义词

例句

1.Very important, you do not have to change your embouchure to single lip in order to play in the jazz style. And you simply just continue to do your regular so-called Classical training.

非常重要的一点：你无需改成单包来演奏爵士，同时你也只需要继续按照古典音乐的演奏训练即可，并不妨碍你演奏爵士。

2.Very important, you do not have to change your embouchure to single lip in order to play in the jazz style. And you simply just continue to do your regular so-called Classical training.

非常重要的一点：你无需改成单包来演奏爵士，同时你也只需要继续按照古典音乐的演奏训练即可，并不妨碍你演奏爵士。

3.Armstrong USA - Sterling silver . 014" head, . 018" silver-plated nickel silver body & C foot, silver-plated French (open hole)keys, "Progressive cut" embouchure hole, in-line G.

美国阿姆斯特朗-纯银.014”笛头，.018”镍银镀银笛身和C型笛尾，镀银法国（开孔）按键，“革新”吹孔，直列G键。

4.Reeds themselves are a basic issue and take a while before you and your embouchure know what you are doing.

哨片是一个很基本的硬件要素，需要你和你的口型有一段适应时间。

5.These will help you to progress improve technic, tone and of course embouchure , if done dilligently.

如果你正确练习，这些将帮助你提高技巧、音色，当然还有口型。

6.Special embouchure for silver headjoint, with which we can get loud volume and very heavy bass.

特制银笛头吹口，这种吹口可以获得大音量、更加厚实的低音。

7.The cheeks are brought back to their normal embouchure position.

面颊重新恢复正常口型位置。

8.Do not change your embouchure or anything.

不要改变你的口型或者其它什么。

9.The musician adjusted his embouchure to produce a clearer tone on the trumpet.

音乐家调整了他的唇形，以在小号上发出更清晰的音色。

10.A proper embouchure is essential for playing woodwind instruments effectively.

正确的唇形对于有效演奏木管乐器至关重要。

11.She practiced her flute embouchure daily to improve her sound quality.

她每天练习她的长笛唇形，以提高音质。

12.The teacher demonstrated the correct embouchure for the clarinet.

老师演示了单簧管的正确唇形。

13.Many students struggle with their embouchure when first learning brass instruments.

许多学生在刚学习铜管乐器时会对他们的唇形感到困惑。

作文

The art of playing a wind instrument is a skill that requires not only practice and dedication but also a deep understanding of the technique involved. One of the most crucial aspects of this technique is the formation of the player's mouth, commonly referred to as the embouchure. The term embouchure originates from the French word meaning 'mouth' or 'opening', and it describes the way a musician shapes their lips and mouth when producing sound on instruments like the flute, trumpet, or clarinet. To master the embouchure, musicians must first understand the anatomy of their mouth and how it interacts with the instrument. The correct positioning of the lips, teeth, and tongue can greatly affect the quality of sound produced. For instance, a flutist needs to create a small aperture with their lips to control the airflow, while a trumpet player must develop a tight and controlled embouchure to produce high notes effectively. Developing a proper embouchure is essential for achieving good tone quality and intonation. Many beginners struggle with this aspect, often leading to frustration and discouragement. It is important for them to practice regularly and seek guidance from experienced musicians or teachers who can provide feedback on their technique. Exercises focusing on flexibility and strength of the lips can help in forming a strong and effective embouchure. Moreover, the embouchure can vary significantly between different instruments. For example, a saxophonist's embouchure involves a relaxed lower lip while the upper lip maintains contact with the mouthpiece. In contrast, a French horn player must adopt a more rounded and firm embouchure to navigate the instrument's unique demands. This variation highlights the importance of adapting one's technique based on the specific requirements of each instrument. In addition to technical skills, the embouchure also plays a psychological role in a musician's performance. A confident and well-formed embouchure can enhance a player's self-assurance, allowing them to focus on musical expression rather than worrying about sound production. Musicians often develop personal habits and preferences regarding their embouchure, which can evolve over time with experience and experimentation. Ultimately, the embouchure is more than just a physical technique; it is a vital component of a musician's identity and artistry. As players continue to refine their embouchure, they not only improve their sound but also deepen their connection to the music they create. Whether a novice or a seasoned performer, understanding and mastering the embouchure is an essential journey in the life of any wind instrument musician. Through dedication and practice, the embouchure becomes a powerful tool for expression and creativity, enabling musicians to convey emotions and stories through their art. In conclusion, the embouchure is a fundamental aspect of wind instrument playing that requires attention, practice, and adaptation. By focusing on this technique, musicians can unlock their full potential and enjoy a more fulfilling musical experience.

演奏吹奏乐器的艺术是一项不仅需要练习和奉献精神的技能，还需要对所涉及技术的深刻理解。其中一个最关键的方面就是演奏者嘴部的形成，通常称为embouchure。这个词源于法语，意为“嘴”或“开口”，它描述了音乐家在演奏长笛、小号或单簧管等乐器时，如何塑造他们的嘴唇和口腔以产生声音。 要掌握embouchure，音乐家首先必须了解他们口腔的解剖结构以及它与乐器的互动方式。嘴唇、牙齿和舌头的正确位置可以极大地影响所产生声音的质量。例如，长笛演奏者需要用嘴唇形成一个小开口，以控制气流，而小号演奏者则必须发展出紧致和受控的embouchure，以有效地演奏高音。 发展一个合适的embouchure对于实现良好的音色和音准至关重要。许多初学者在这一方面挣扎，往往导致沮丧和失望。他们定期练习并寻求有经验的音乐家或老师的指导，以便获得关于他们技术的反馈，这一点非常重要。专注于嘴唇的灵活性和力量的练习可以帮助形成一个强大而有效的embouchure。 此外，embouchure在不同乐器之间可能会有显著差异。例如，萨克斯演奏者的embouchure涉及放松的下唇，而上唇则保持与嘴唇接触。相比之下，小号演奏者必须采用更圆润和紧致的embouchure，以应对乐器独特的要求。这种变化突显了根据每种乐器的具体要求调整技巧的重要性。 除了技术技能外，embouchure在音乐家的表演中也扮演着心理角色。自信且形成良好的embouchure可以增强演奏者的自信心，使他们能够专注于音乐表现，而不是担心声音的产生。音乐家通常会发展出个人习惯和对embouchure的偏好，这些习惯和偏好可以随着经验和实验而演变。 最终，embouchure不仅仅是一种身体技巧；它是音乐家身份和艺术性的一个重要组成部分。当演奏者不断完善他们的embouchure时，他们不仅改善了声音，还加深了与他们创作的音乐之间的联系。无论是新手还是经验丰富的表演者，理解和掌握embouchure都是任何吹奏乐器音乐生活中的一段重要旅程。通过奉献和练习，embouchure成为表达和创造力的强大工具，使音乐家能够通过他们的艺术传达情感和故事。 总之，embouchure是吹奏乐器演奏的基本方面，需要关注、练习和适应。通过专注于这一技巧，音乐家可以释放他们的全部潜力，享受更充实的音乐体验。