fauvism

简明释义

英[ˈfəʊvɪzəm]美[ˈfoʊvɪzəm]

n. 野兽派（画派）

英英释义

单词用法

同义词

反义词

例句

1.In the learning process it was very specific, like cubism, fauvism, abstract, but what I was studying was stage design, space, lighting, things to create a fake environment with.

在学习的过程当中，是很具体的，比如说立体主义，野兽派，抽象主义，但是当时我学的是舞台设计，空间、光学，创作一些假环境的东西。

2.In the learning process it was very specific, like cubism, fauvism, abstract, but what I was studying was stage design, space, lighting, things to create a fake environment with.

在学习的过程当中，是很具体的，比如说立体主义，野兽派，抽象主义，但是当时我学的是舞台设计，空间、光学，创作一些假环境的东西。

3.In the western history of art especially in the modern painting history of20th there were many modern painting trends such as fauvism cubism futurism dada and surreal ism etc.

在西方美术史上，尤其是在二十世纪西方现代绘画史上，产生过许许多多的画派，如野兽派、立体派、未来派、达达派以及超现实主义画派等。

4.In the western history of art especially in the modern painting history of20th there were many modern painting trends such as fauvism cubism futurism dada and surrealism etc.

在西方美术史上，尤其是在二十世纪西方现代绘画史上，产生过许许多多的画派，如野兽派、立体派、未来派、达达派以及超现实主义画派等。

5.He was proficient in both traditional Chinese ink and Western oil painting and experimented with a variety of styles including Fauvism and Cubism.

除了擅长中国水墨画，陈文希也精通西洋油画。他勇于尝试不同的风格，例如融入野兽派和立体派的创作。

6.Impressionism was followed by exercises in neo-impressionist patterned color and then by excursions into the greater freedom of fauvism.

继印象主义之后，使他用新印象主义的图案结构的色彩，而后又涉猎于更加自由奔放的野兽派的领域。

7.From Cubism, Fauvism to Surrealism and Abstractionism, their art concept and pattern all have been embodied in fashion design.

从立体派、野兽派到超现实主义、抽象主义，其艺术理念与形式无一不曾在时装设计中有所体现。

8.His works had a far-reaching influence on the subsequent Fauvism and Expressionism.

他的作品对后来的“野兽派”和“表现派”影响重大。

9.Fauvism your very thing!

野兽派你的东西！

10.The vibrant colors in the painting are a clear example of fauvism, which emphasizes bold hues over realistic representation.

这幅画中鲜艳的色彩明显体现了野兽派，它强调大胆的色调而非现实的表现。

11.Many art students study fauvism to understand how color can convey emotion.

许多艺术学生研究野兽派以理解色彩如何传达情感。

12.Henri Matisse is often associated with fauvism due to his innovative use of color.

亨利·马蒂斯常常与野兽派联系在一起，因为他对色彩的创新使用。

13.The exhibition featured works that were pivotal in the development of fauvism as an art movement.

展览展示了一些在野兽派作为艺术运动发展中具有重要意义的作品。

14.Critics initially dismissed fauvism, but it later gained recognition for its unique approach to color.

批评家最初对野兽派不屑一顾，但后来因其独特的色彩处理而获得认可。

作文

The term fauvism refers to an early 20th-century art movement that is characterized by the use of vivid, non-naturalistic colors and bold brushwork. Originating in France around 1905, fauvism was spearheaded by artists such as Henri Matisse and André Derain. The name itself comes from the French word 'fauves', meaning 'wild beasts', which was coined by an art critic who was startled by the vibrant colors used by these artists. This movement marked a significant departure from traditional painting techniques, emphasizing emotional expression over realistic representation. One of the most striking features of fauvism is its use of color. Unlike previous art movements that adhered to naturalistic hues, Fauvist artists employed colors that were often unrelated to the objects they depicted. For instance, a tree might be painted in bright orange or a sky in deep purple. This radical approach allowed artists to convey feelings and moods rather than merely replicating the world around them. For example, Matisse's work 'Woman with a Hat' showcases this technique beautifully, as he uses unexpected colors to express the subject's personality rather than her physical appearance. The brushwork in fauvism is equally significant. Artists applied paint in a loose, spontaneous manner, often using thick strokes that added texture and depth to their works. This technique not only enhanced the emotional impact of the paintings but also created a sense of movement and vitality. The emphasis on brushwork in fauvism can be seen in Derain's landscapes, where the energetic application of paint brings the scenery to life. Despite its short-lived prominence, fauvism had a lasting influence on modern art. It paved the way for subsequent movements such as Expressionism and Abstract art, which continued to explore the relationship between color and emotion. The freedom of expression championed by the Fauves encouraged artists to experiment with form and color, leading to new artistic possibilities. In conclusion, fauvism represents a pivotal moment in the history of art, marking a shift towards greater emotional expression and individuality in painting. Its bold use of color and innovative brushwork challenged conventional norms and inspired future generations of artists. Understanding fauvism is essential for appreciating the evolution of modern art and the ongoing dialogue about the role of color and emotion in artistic expression.

野兽派一词指的是20世纪初的一种艺术运动，其特点是使用生动的、非自然主义的颜色和大胆的笔触。野兽派起源于1905年的法国，由亨利·马蒂斯和安德烈·德兰等艺术家引领。这一名称本身来源于法语中的“fauves”，意为“野兽”，这是由一位对这些艺术家所用的鲜艳颜色感到震惊的艺术评论家所创造的。这个运动标志着传统绘画技巧的重大转变，强调情感表达而非现实表现。 野兽派最显著的特点之一是其对颜色的使用。与之前遵循自然色调的艺术运动不同，野兽派艺术家采用了与他们描绘的物体无关的颜色。例如，一棵树可能被涂成鲜艳的橙色，天空则是深紫色。这种激进的方法使得艺术家能够传达感受和情绪，而不仅仅是复制他们周围的世界。例如，马蒂斯的作品《戴帽子的女人》完美地展示了这一技巧，他使用意想不到的颜色来表达主题的人格，而不是她的外貌。 在野兽派中，笔触同样重要。艺术家们以一种松散、自发的方式涂抹颜料，常常使用厚重的笔触，为他们的作品增添了质感和深度。这种技术不仅增强了绘画的情感冲击力，还创造了运动和活力的感觉。在德兰的风景画中，可以看到野兽派对笔触的重视，生动的涂抹使风景栩栩如生。 尽管野兽派的影响短暂，但它对现代艺术产生了持久的影响。它为后来的表现主义和抽象艺术运动铺平了道路，这些运动继续探索颜色与情感之间的关系。野兽派所倡导的表现自由鼓励艺术家尝试形式和颜色，开辟了新的艺术可能性。 总之，野兽派代表了艺术史上的一个关键时刻，标志着绘画中更大情感表达和个体性的转变。它大胆的颜色使用和创新的笔触挑战了传统规范，并激励了未来几代艺术家。理解野兽派对于欣赏现代艺术的演变及对色彩和情感在艺术表达中角色的持续对话至关重要。