formless

简明释义

英[ˈfɔːmləs]美[ˈfɔːrmləs]

adj. 没有形状的；无定形的；形体不明的

英英释义

单词用法

同义词

反义词

例句

1.They only had the occasion in a kind of formless matter upon which they could adopt and impose any form they took.

他们仅有的是，在一种无形物质中的机遇，在其中他们能采纳，并强加任何他们喜欢的形式。

2.Some say that God has form, while others say that He is formless.

一些人说神是有形，另一些却说神是无形。

3.Know I now that the formless is all there is of form.

现在我真的知道无形是有形态的全部。

4.It goes beyond all linguistic formations because it is invisible and formless.

它超越所有的语言编队，因为它是无形的，无形的。

5.He was a worshipper of the formless God.

他是一个无形之神的崇拜者。

6.You allured him with beauty, made him captive, and crowned the formless death with fadeless form.

沙杰汗，你用美诱惑它，使它着迷而被俘，你给无形的死神戴上了永不凋谢的形象的王冠。

7.It's the (formless) Allness of Existence.

是(无形的)一体的存在。

8.Then, you realize that you are essentially formless space.

接着，你发现自己的本质是无形的空间。

9.Art has to reveal to us ideas, formless spiritual essences.

艺术必须向我们昭示某种观念——无形的精神真髓。

10.The artist created a sculpture that appeared to be formless 无形的, challenging traditional notions of structure.

这位艺术家创作了一座雕塑，看起来是无形的，挑战了传统的结构观念。

11.In the dream, I found myself in a formless 无形的 void, where nothing had any shape or substance.

在梦中，我发现自己处于一个无形的空洞中，那里没有任何形状或实质。

12.The fog rolled in, making the landscape seem formless 无形的 and eerie.

雾气弥漫，使得风景看起来无形的而又阴森。

13.The concept of love can sometimes feel formless 无形的, difficult to define or grasp.

爱的概念有时会让人感觉无形的，难以定义或把握。

14.His thoughts were a formless 无形的 mass, swirling around without any clear direction.

他的思绪是一团无形的混乱，旋转着没有明确的方向。

作文

In the realm of art and philosophy, the concept of the formless (无形的) often emerges as a profound topic of discussion. The term 'formless' refers to something that lacks a defined shape or structure, which can be both liberating and daunting. In art, for instance, the formless (无形的) can represent the freedom of expression, allowing artists to explore emotions and ideas without the constraints of traditional forms. This leads to a unique form of creativity where the absence of a rigid framework can inspire innovation and originality. Consider the works of abstract artists like Jackson Pollock, whose paintings are characterized by chaotic splashes of paint that seem to defy conventional structure. These artworks can be seen as a celebration of the formless (无形的), inviting viewers to engage with the piece on an emotional level rather than through analytical reasoning. The formless (无形的) nature of such art encourages individuals to interpret meaning based on their personal experiences and feelings, making each encounter with the artwork unique. Philosophically, the idea of the formless (无形的) can also relate to the complexities of existence. Many philosophical traditions explore the notion that reality is not always concrete and that much of our understanding is shaped by our perceptions. In this sense, the formless (无形的) embodies the fluidity of thought and the ever-changing nature of life itself. Just as water takes the shape of its container, our thoughts and beliefs can adapt and transform, transcending the limitations of fixed definitions. In literature, the theme of the formless (无形的) often surfaces in narratives that challenge traditional storytelling methods. For example, stream-of-consciousness writing, as seen in the works of Virginia Woolf or James Joyce, reflects a formless (无形的) narrative style that mimics the natural flow of thoughts. This technique allows readers to experience the characters' internal struggles and emotions in a raw and unfiltered manner, breaking away from structured plots and linear storytelling. Moreover, in the context of personal growth and self-discovery, embracing the formless (无形的) can be a powerful journey. Life often presents us with situations that do not fit neatly into predefined categories, and learning to navigate these formless (无形的) moments can foster resilience and adaptability. By accepting uncertainty and ambiguity, individuals can cultivate a deeper understanding of themselves and the world around them. In conclusion, the notion of the formless (无形的) permeates various aspects of human experience, from art and philosophy to literature and personal growth. It challenges us to rethink our perceptions and embrace the beauty of what lies beyond defined boundaries. By exploring the formless (无形的), we open ourselves up to new possibilities, allowing creativity and understanding to flourish in a world that is often too rigidly structured. Ultimately, the formless (无形的) invites us to celebrate the unknown and to find meaning in the spaces between form and formlessness.

在艺术和哲学的领域中，‘无形的’这个概念常常成为一个深刻的讨论主题。术语‘无形的’指的是缺乏明确形状或结构的事物，这既可以是解放的，也可以是令人生畏的。在艺术中，例如，‘无形的’可以代表表达的自由，使艺术家能够探索情感和思想，而不受传统形式的限制。这导致了一种独特的创造力，其中缺乏严格框架的情况可以激发创新和原创性。 考虑杰克逊·波洛克（Jackson Pollock）的作品，他的画作以混乱的油漆飞溅为特征，似乎违背了传统结构。这些艺术作品可以被视为对‘无形的’的庆祝，邀请观众在情感层面上与作品互动，而不是通过分析推理。‘无形的’自然鼓励个人根据他们的个人经历和感受来解释意义，使每一次与艺术品的邂逅都独一无二。 在哲学上，‘无形的’的概念也可以与存在的复杂性相关联。许多哲学传统探讨了现实并不总是具体的这一观点，我们的理解往往受到我们感知的影响。在这个意义上，‘无形的’体现了思想的流动性和生活本质的不断变化。正如水的形状会随容器而变，我们的思想和信念也可以适应和转变，超越固定定义的局限。 在文学中，‘无形的’主题常常出现在挑战传统叙事方法的叙述中。例如，维吉尼亚·伍尔夫（Virginia Woolf）或詹姆斯·乔伊斯（James Joyce）的意识流写作反映了一种‘无形的’叙事风格，模仿思想的自然流动。这种技巧使读者能够以一种原始而未经过滤的方式体验角色的内心挣扎和情感，打破了结构化情节和线性叙事。 此外，在个人成长和自我发现的背景下，接受‘无形的’可能是一个强有力的旅程。生活常常向我们呈现不适合整齐分类的情况，学习如何驾驭这些‘无形的’时刻可以培养韧性和适应能力。通过接受不确定性和模糊性，个人可以加深对自己和周围世界的理解。 总之，‘无形的’的概念渗透了人类经验的各个方面，从艺术和哲学到文学和个人成长。它挑战我们重新思考我们的感知，并拥抱超越明确边界的美。通过探索‘无形的’，我们向新的可能性敞开大门，使创造力和理解在一个往往过于严格结构化的世界中蓬勃发展。最终，‘无形的’邀请我们庆祝未知，并在形式与无形之间的空间中寻找意义。