frightfulness

简明释义

英[ˈfraɪtfʊlnəs]美[fˈraɪtfəlnəs]

n. 可怕；丑恶；讨厌；令人毛骨悚然

英英释义

单词用法

同义词

反义词

例句

1.The second kind is Frightfulness Type.

第二种是“丑恶型”长女。

2.The second kind is Frightfulness Type.

第二种是“丑恶型”长女。

3.The movie was filled with scenes of frightfulness, leaving the audience trembling in their seats.

这部电影充满了可怕的场景，让观众在座位上颤抖不已。

4.The frightfulness of the storm made everyone stay indoors.

暴风雨的恐怖让每个人都呆在室内。

5.She described the frightfulness of her experience during the haunted house tour.

她描述了在鬼屋游览中经历的恐怖。

6.The frightfulness of the abandoned building deterred many from exploring it.

废弃建筑的可怕使许多人不敢探索它。

7.He could hardly bear the frightfulness of the news he received.

他几乎无法承受收到的消息的可怕。

作文

The concept of fear has been a central theme in literature and art for centuries. It evokes a wide range of emotions and reactions, often leading to profound reflections on the human condition. One of the most striking aspects of fear is its ability to manifest itself in various forms, sometimes taking on a sense of frightfulness (可怕的性质) that can be both thrilling and terrifying. This duality makes fear an intriguing subject for exploration. In many horror stories, the frightfulness (可怕的性质) of the unknown plays a critical role in building tension. Authors often use suspenseful narratives to draw readers into a world where danger lurks around every corner. For instance, in Mary Shelley’s "Frankenstein," the creature embodies the frightfulness (可怕的性质) of humanity’s hubris and the unforeseen consequences of scientific experimentation. Readers are left to grapple with their own fears as they witness the tragic outcomes of Victor Frankenstein’s ambition. Moreover, the frightfulness (可怕的性质) found in nature can also elicit a deep sense of awe and respect. Natural disasters, such as hurricanes or earthquakes, remind us of our vulnerability in the face of powerful forces. These events can be described as both terrifying and magnificent, showcasing the frightfulness (可怕的性质) of nature's wrath. When we watch news reports of such calamities, we cannot help but feel a mix of fear and admiration for the sheer power of the elements. In art, the frightfulness (可怕的性质) of certain imagery can provoke thought and discussion. Artists like Francisco Goya and Edvard Munch have explored themes of fear and anxiety in their works. Goya’s "The Third of May 1808" captures the horror of war, while Munch’s "The Scream" embodies existential dread. Both pieces highlight how the frightfulness (可怕的性质) of human experience can lead to a deeper understanding of our own emotions and fears. On a personal level, we all encounter moments of frightfulness (可怕的性质) in our lives. Whether it is facing a daunting challenge, like giving a public speech, or dealing with the loss of a loved one, these experiences shape our character and resilience. The frightfulness (可怕的性质) of these situations can serve as catalysts for growth, pushing us to confront our fears and emerge stronger. In conclusion, the theme of frightfulness (可怕的性质) permeates various aspects of life, from literature and art to our personal experiences. It challenges us to explore the depths of our emotions and confront the unknown. By embracing the frightfulness (可怕的性质) that life presents, we not only gain insight into our fears but also discover the strength that lies within us. Ultimately, it is through understanding and acknowledging our fears that we can truly appreciate the beauty and complexity of the human experience.

恐惧的概念在文学和艺术中已经是一个中心主题，数百年来都在引发各种情感和反应，常常导致对人类状况的深刻反思。恐惧最引人注目的方面之一是它能够以各种形式表现出来，有时呈现出一种可怕的性质，既令人兴奋又令人恐惧。这种二元性使得恐惧成为一个引人入胜的探索主题。 在许多恐怖故事中，未知的可怕的性质在建立紧张气氛中发挥着关键作用。作者们常常使用悬疑叙述将读者吸引到一个危险潜伏每个角落的世界。例如，在玛丽·雪莱的《弗兰肯斯坦》中，生物体现了人类傲慢的可怕的性质以及科学实验的不可预见后果。当读者目睹维克托·弗兰肯斯坦的野心带来的悲惨结果时，他们不得不与自己的恐惧作斗争。 此外，自然界中的可怕的性质也能引发深深的敬畏和尊重。自然灾害，如飓风或地震，让我们意识到在强大力量面前的脆弱。这些事件可以被描述为既可怕又壮丽，展示了自然愤怒的可怕的性质。当我们观看新闻报道时，我们不禁感到一阵恐惧与对自然力量的钦佩交织在一起。 在艺术中，某些形象的可怕的性质可以激发思考和讨论。像弗朗西斯科·戈雅和爱德华·蒙克这样的艺术家探讨了他们作品中的恐惧和焦虑主题。戈雅的《1808年5月3日》捕捉了战争的恐怖，而蒙克的《呐喊》则体现了存在主义的恐惧。这两幅作品强调了人类经历的可怕的性质如何引导我们更深入地理解自己的情感和恐惧。 在个人层面上，我们都在生活中遇到可怕的性质的时刻。无论是面对一个艰巨的挑战，比如进行公开演讲，还是处理失去亲人的痛苦，这些经历塑造了我们的性格和韧性。这些情况的可怕的性质可以作为成长的催化剂，推动我们面对恐惧，变得更强大。 总之，可怕的性质这一主题 permeates 生活的各个方面，从文学和艺术到我们的个人经历。它挑战我们探索情感的深度并面对未知。通过接受生活中呈现的可怕的性质，我们不仅获得了对恐惧的洞察，还发现了内心的力量。最终，正是通过理解和承认我们的恐惧，我们才能真正欣赏人类经历的美丽和复杂性。