ghastliness

简明释义

英[/ˈɡɑːstlinəs/]美[/ˈɡæstlnəs/]

n. 可怕；糟糕透顶

英英释义

单词用法

同义词

反义词

例句

1.The movie was filled with scenes of such ghastliness that many viewers left the theater feeling disturbed.

这部电影充满了如此可怕的景象，以至于许多观众感到不安离开了电影院。

2.After the accident, the ghastliness of the injuries shocked everyone at the scene.

事故发生后，伤势的可怕程度让现场的每个人都感到震惊。

3.The artist's painting captured the ghastliness of war in a hauntingly beautiful way.

这位艺术家的画作以一种令人毛骨悚然的美感捕捉到了战争的可怕性。

4.The documentary revealed the ghastliness of living conditions in some parts of the world.

这部纪录片揭示了世界某些地方生活条件的可怕性。

5.He couldn't shake off the feeling of ghastliness after witnessing the crime.

目睹犯罪后，他无法摆脱那种可怕的感觉。

作文

The concept of ghastliness is often associated with horror and dread, evoking a sense of fear and repulsion. It can be found in various forms of art, literature, and even in our everyday lives. To truly understand the essence of ghastliness (可怕的事物), one must explore its manifestations and implications in different contexts. In literature, ghastliness is frequently used to describe scenes that are unsettling or grotesque. For example, in horror novels, authors often create vivid imagery that captures the reader's imagination and evokes feelings of terror. A classic example can be found in Mary Shelley’s "Frankenstein," where the creature's appearance and actions embody a profound ghastliness (可怕的事物) that reflects the darker aspects of human nature. The description of the creature, with its decaying flesh and haunting presence, serves to instill fear in both the characters within the story and the readers themselves. Similarly, in films, directors utilize ghastliness (可怕的事物) to elicit strong emotional reactions from the audience. The use of suspenseful music, dark lighting, and shocking visuals all contribute to creating an atmosphere filled with dread. Take, for instance, the psychological thriller "The Shining," where the eerie hotel setting and unsettling events lead to a palpable sense of ghastliness (可怕的事物). The slow build-up of tension and the eventual revelation of horrifying truths leave viewers feeling disturbed long after the credits roll. However, ghastliness (可怕的事物) is not limited to fictional narratives. In real life, we encounter situations that can be described as ghastly, such as natural disasters, violent crimes, or tragedies. These events can leave lasting impacts on individuals and communities, often resulting in trauma and grief. For instance, witnessing the aftermath of a devastating earthquake can evoke feelings of ghastliness (可怕的事物) as one confronts the destruction and suffering inflicted upon innocent lives. The stark reality of human suffering can be overwhelming, reminding us of the fragility of life and the darkness that exists in the world. Moreover, the fascination with ghastliness (可怕的事物) can also be seen in the popularity of haunted houses and horror-themed attractions. People willingly seek out experiences that challenge their comfort levels, drawn by the thrill of encountering the unknown. This paradox highlights a complex relationship with fear; while ghastliness (可怕的事物) can be terrifying, it also offers a sense of excitement and adventure. The adrenaline rush that accompanies these experiences can be addictive, prompting individuals to return for more. In conclusion, ghastliness (可怕的事物) is a multifaceted concept that permeates various aspects of our lives. Whether through literature, film, or real-life experiences, it serves as a reminder of the darker sides of existence. By exploring the depths of ghastliness (可怕的事物), we gain a better understanding of fear, human emotion, and the complexities of life itself. Ultimately, embracing the ghastliness (可怕的事物) around us can lead to personal growth and a deeper appreciation for the beauty that exists alongside the horror.

“ghastliness”这个概念通常与恐怖和恐惧相关，唤起一种害怕和厌恶的感觉。它可以在各种艺术、文学，甚至日常生活中找到。要真正理解“ghastliness”（可怕的事物）的本质，必须探索其在不同背景下的表现和含义。 在文学中，“ghastliness”常用于描述令人不安或怪异的场景。例如，在恐怖小说中，作者常常创造生动的意象，捕捉读者的想象力，并引发恐惧感。玛丽·雪莱的《弗兰肯斯坦》就是一个经典例子，其中生物的外貌和行为体现了深刻的“ghastliness”（可怕的事物），反映了人性中更黑暗的方面。对生物的描述，伴随着腐烂的肉体和幽灵般的存在，旨在让故事中的角色和读者都感到恐惧。 同样，在电影中，导演利用“ghastliness”（可怕的事物）来引发观众的强烈情感反应。紧张的音乐、昏暗的灯光和震撼的视觉效果共同营造出充满恐惧的氛围。例如，在心理惊悚片《闪灵》中，阴森的酒店环境和令人不安的事件导致了一种明显的“ghastliness”（可怕的事物）。紧张感的逐渐积累以及最终揭示可怕真相的过程，让观众在观看结束后依然感到不安。 然而，“ghastliness”（可怕的事物）并不仅限于虚构叙事。在现实生活中，我们会遇到可以被描述为可怕的情况，例如自然灾害、暴力犯罪或悲剧。这些事件可能对个人和社区造成持久的影响，常常导致创伤和悲痛。例如，目睹毁灭性地震后的惨状会引发“ghastliness”（可怕的事物）的感觉，因为人们面对无辜生命所遭受的破坏和痛苦。人类苦难的严酷现实可能是压倒性的，提醒我们生命的脆弱和世界存在的黑暗。 此外，“ghastliness”（可怕的事物）的迷恋也可以在鬼屋和恐怖主题景点的流行中看到。人们自愿寻求挑战自己舒适区的体验，被面对未知的刺激所吸引。这种悖论突显了与恐惧之间复杂的关系；虽然“ghastliness”（可怕的事物）可能令人恐惧，但它也提供了一种兴奋和冒险的感觉。这些体验所伴随的肾上腺素激增可能会上瘾，促使人们再次寻找更多。 总之，“ghastliness”（可怕的事物）是一个多面的概念，渗透到我们生活的各个方面。无论是通过文学、电影还是现实生活经历，它都是存在更黑暗一面的提醒。通过探索“ghastliness”（可怕的事物）的深度，我们对恐惧、人类情感以及生活的复杂性有了更好的理解。最终，接受我们周围的“ghastliness”（可怕的事物）可以带来个人成长，并更深刻地欣赏存在于恐怖旁边的美。