gonzo

简明释义

英[ˈɡɒnzəʊ]美[ˈɡɑːnzoʊ]

adj. 偏激主观的；疯狂的；愚蠢的；怪论连篇的

n. 狂野的人；疯狂的人

n. （Gonzo）（美、墨、加）贡佐（人名）

英英释义

单词用法

同义词

反义词

例句

1.The biggest problem with Gonzo is that he can lead a team to try many interesting ideas, none of which helps them deliver the product Russell wants. 8.

Gonzo最大的问题就是：他能够引导团队尝试许多有意思的想法，但是却没有一种可以帮助他们生产出符合Russell要求的产品。

2.The biggest problem with Gonzo is that he can lead a team to try many interesting ideas, none of which helps them deliver the product Russell wants. 8.

Gonzo最大的问题就是：他能够引导团队尝试许多有意思的想法，但是却没有一种可以帮助他们生产出符合Russell要求的产品。

3.In that case, the contents of pointer gonzo - a 4-byte memory address - live in the data segment. The actual string it points to does not, however.

在这个示例中，指针在数据段中占用了4个字节，但是指针所指向的字符串则不在数据段中。

4.The second person, who has worked with Russell for several projects, is the company's chief technical officer, Gonzo N. Propellerhead.

第二位人物是和Russell一起共事过若干项目的公司的首席技术官Gonzon . Propellerhead。

5.Comedy Central plans to invite guest analysts ranging from Republican strategist Roger Ailes to gonzo journalist Hunter Thompson.

“喜剧总站”频道计划邀请客座分析家，包括共和党策略专家艾勒斯与神经记者汤普森。

6.My boyfriend is a real gonzo but I love him anyway.

我的男朋友真是个笨蛋，可不管怎样我还是爱他。

7.Steve: Mike, why are you always such a gonzo?

史蒂夫：迈克，你为什么总是这么愚蠢？

8.Gonzo is a techno-geek at heart.

Gonzo在内心里是一位技术狂人。

9.The journalist's latest article was so wild and unfiltered that it could only be described as gonzo.

这位记者的最新文章如此疯狂和不加修饰，以至于只能被描述为疯癫的。

10.His gonzo approach to filmmaking often left audiences both confused and entertained.

他对电影制作的疯癫的方法常常让观众既困惑又 entertained。

11.The party last night was a gonzo experience, with outrageous costumes and spontaneous performances.

昨晚的派对是一场疯癫的体验，伴随着离谱的服装和即兴表演。

12.Her gonzo style of writing makes her blog stand out from the rest.

她的疯癫的写作风格使她的博客与众不同。

13.The documentary took a gonzo turn when the filmmaker decided to join the protest instead of just observing.

当制片人决定加入抗议活动而不是仅仅观察时，纪录片发生了疯癫的转变。

作文

In the world of journalism, the term gonzo refers to a style that is characterized by its subjective and often outrageous approach. This unique form of reporting emerged in the 1970s, largely attributed to the works of Hunter S. Thompson, who famously coined the term. Unlike traditional journalism, which strives for objectivity and neutrality, gonzo journalism embraces the personal experiences and emotions of the reporter, blurring the lines between fact and fiction. This style allows journalists to immerse themselves in their stories, often becoming part of the narrative they are covering. One of the most notable aspects of gonzo journalism is its emphasis on the writer’s perspective. For instance, when covering political events or social issues, a gonzo journalist might inject their own opinions, feelings, and experiences into the piece. This can lead to a more engaging and vivid portrayal of the events being reported. Readers are drawn into the story not just through facts but through the emotional resonance created by the journalist’s voice. However, this approach is not without its criticisms. Some argue that gonzo journalism sacrifices accuracy for sensationalism. The blending of personal narrative with factual reporting can sometimes lead to misinterpretations or exaggerations of the truth. Critics contend that readers may struggle to discern where the facts end and the writer’s embellishments begin. Despite these concerns, gonzo journalism has carved out a niche in the media landscape, appealing to audiences that crave authenticity and raw storytelling. The cultural impact of gonzo journalism extends beyond the realm of news reporting. It has influenced literature, film, and even music, inspiring countless artists to adopt a similar approach in their work. The chaotic and immersive style of gonzo has been embraced by filmmakers who seek to capture the essence of reality in a way that is both entertaining and thought-provoking. Documentaries, for example, often utilize gonzo techniques to convey a sense of immediacy and urgency, allowing viewers to experience events as if they were happening in real-time. Moreover, the rise of digital media has further popularized the gonzo style. With the advent of blogs, podcasts, and social media platforms, individuals can share their personal narratives and experiences with a global audience. This democratization of storytelling has given rise to a new generation of gonzo journalists who leverage technology to create compelling content that resonates with their followers. These modern storytellers often use humor, satire, and a candid tone to engage their audience, much like their predecessors. In conclusion, the term gonzo represents a distinctive and influential approach to journalism that prioritizes personal experience and emotional connection over traditional objectivity. While it has faced criticism for its potential to blur the lines between fact and fiction, its ability to engage and captivate audiences cannot be denied. As we continue to navigate an ever-changing media landscape, the legacy of gonzo journalism serves as a reminder of the power of storytelling and the importance of authentic voices in our understanding of the world around us.

在新闻界，术语gonzo指的是一种以主观和常常是离谱的方式为特征的风格。这种独特的报道形式出现在20世纪70年代，主要归功于亨特·S·汤普森的作品，他著名地创造了这个词。与追求客观性和中立性的传统新闻相比，gonzo新闻拥抱记者的个人经历和情感，模糊了事实与虚构之间的界限。这种风格使记者能够深入他们的故事，常常成为他们所报道叙事的一部分。 gonzo新闻最显著的特点之一是强调作者的视角。例如，在报道政治事件或社会问题时，gonzo记者可能会将自己的观点、感受和经历注入文章中。这可以导致对被报道事件更具吸引力和生动的描绘。读者不仅通过事实被吸引到故事中，还通过记者声音所创造的情感共鸣。 然而，这种方法并非没有批评意见。一些人认为，gonzo新闻为了哗众取宠而牺牲了准确性。个人叙述与事实报道的融合有时可能导致对真相的误解或夸大。批评者认为，读者可能会难以辨别事实的结束和作者的修饰开始。尽管存在这些担忧，gonzo新闻在媒体领域中开辟了一块小众市场，吸引了渴望真实和生动叙事的观众。 gonzo新闻的文化影响超越了新闻报道的领域。它影响了文学、电影甚至音乐，激励无数艺术家在他们的作品中采用类似的方法。gonzo的混乱和沉浸式风格被电影制作人所接受，他们试图以一种既娱乐又发人深省的方式捕捉现实的本质。例如，纪录片常常利用gonzo技术来传达一种紧迫感和即时感，让观众仿佛在实时体验事件。 此外，数字媒体的兴起进一步普及了gonzo风格。随着博客、播客和社交媒体平台的出现，个人可以与全球观众分享他们的个人叙事和经历。这种讲故事的民主化催生了新一代的gonzo记者，他们利用技术创造引人入胜的内容，与他们的追随者产生共鸣。这些现代讲述者常常使用幽默、讽刺和坦诚的语气来吸引他们的观众，就像他们的前辈一样。 总之，术语gonzo代表了一种独特而有影响力的新闻报道方式，它优先考虑个人体验和情感联系，而不是传统的客观性。尽管因其模糊事实与虚构之间界限的潜力而受到批评，但它吸引和捕获观众的能力是不容否认的。当我们继续在不断变化的媒体环境中航行时，gonzo新闻的遗产提醒我们讲故事的力量以及在我们理解周围世界时真实声音的重要性。