gore

简明释义

英[ɡɔː(r)]美[ɡɔːr]

vt. 刺伤；缝以补裆；顶

n. 淤血；三角形布；流出的血

n. （Gore）人名；（英、法）戈尔；（德、西、罗、塞）戈雷

复 数 g o r e s

第 三 人 称 单 数 g o r e s

现 在 分 词 g o r i n g

过 去 式 g o r e d

过 去 分 词 g o r e d

英英释义

单词用法

同义词

反义词

例句

1.“In the last six years we have been able to stop global warming,” intoned Mr Gore.

戈尔先生抑扬顿挫地说道：“在过去的六年里，我们是可以阻止全球变暖的。

2.Ormsby Gore inherited his father's title, Lord Harlech.

奥姆斯比·戈尔继承了他父亲哈莱克勋爵的头衔。

3.Reach sensory overload in the wet market's colour, aroma and gore.

五颜六色、五味俱全、- - -让感官超负荷的湿货市场。

4.Andy: Gore seems to think the Rich are at the bottom of all our troubles.

安迪：在戈尔看来，富人都是我们一切麻烦的源头。

5."In the last six years we have been able to stop global warming," intoned Mr Gore.

戈尔先生抑扬顿挫地说道：“在过去的六年里，我们是可以阻止全球变暖的。”

6.Al Gore: Like Winifred Skinner from Demount Island.

艾尔·戈尔：就象从德蒙特岛来的威尼福雷德·斯金纳。

7."The coral reef is an ecosystem in distress," said Gore.

“珊瑚礁生态系统处于困境，”戈尔说。

8.Mr. Gore says that he is simply putting his money where his mouth is.

对此，戈尔表示，他只是他的钱放在哪儿，嘴就放在哪儿。

9.Al Gore strongly agreed.

艾尔·戈尔表示完全赞同。

10.The movie was filled with scenes of gore 血腥 that made some viewers uncomfortable.

这部电影充满了让一些观众感到不适的血腥场景。

11.The artist's painting depicted a battle scene with lots of gore 血腥 and chaos.

这位艺术家的画作描绘了一场充满血腥和混乱的战斗场景。

12.In horror films, excessive gore 血腥 is often used to shock the audience.

在恐怖片中，过多的血腥常常用来震撼观众。

13.The novel contained graphic descriptions of gore 血腥, making it unsuitable for younger readers.

这本小说包含了生动的血腥描述，使其不适合年轻读者。

14.The crime scene was filled with gore 血腥, indicating a violent struggle had taken place.

犯罪现场充满了血腥，表明发生过激烈的挣扎。

作文

In the realm of literature and film, the term gore refers to the explicit depiction of graphic violence and bloodshed. This element is often used to elicit strong emotional reactions from the audience, whether it be shock, fear, or even disgust. While some may argue that the use of gore detracts from the story, others believe it serves a significant purpose in conveying the harsh realities of life and the human condition. Gore can be found in various genres, particularly in horror and thriller narratives, where the stakes are high, and survival is uncertain. One of the most notable examples of gore in film is the iconic "Psycho" directed by Alfred Hitchcock. The infamous shower scene, while not overly graphic by today’s standards, was groundbreaking at the time for its suggestion of violence and the psychological terror it instilled in viewers. Hitchcock masterfully employed gore to create suspense and fear, proving that sometimes what is implied can be more frightening than what is shown outright. However, the extensive use of gore in modern cinema has sparked debates about its impact on society. Critics argue that excessive gore can desensitize audiences to violence, leading to a normalization of brutality in real life. For instance, movies such as "Saw" and "Hostel" take gore to extreme levels, showcasing torture and death in graphic detail. These films often prioritize shock value over narrative depth, leaving some viewers feeling unsettled and questioning the morality of such entertainment. On the other hand, proponents of gore argue that it can serve as a form of catharsis. By confronting fears and anxieties through fictional violence, audiences may find a release from their own stresses and traumas. Horror films, in particular, allow viewers to explore the darker aspects of humanity in a safe environment. The adrenaline rush that comes from watching gore can be exhilarating, providing a thrill that many seek in their cinematic experiences. Moreover, gore can be used as a metaphorical tool to address deeper societal issues. Films like "Get Out" and "The Texas Chainsaw Massacre" utilize gore not just for shock but to critique social norms and highlight the horrors of discrimination and violence. In these contexts, gore becomes a vehicle for commentary, urging viewers to reflect on the underlying messages rather than simply reacting to the visual stimuli. In conclusion, the concept of gore in media is multifaceted, encompassing both entertainment and critical discourse. Its presence in storytelling can amplify emotional responses and provoke thought, yet it also raises important questions about the representation of violence in our culture. As consumers of media, it is essential to engage with gore thoughtfully, recognizing its potential effects on both individual psychology and societal perceptions of violence. Whether one appreciates or abhors gore, its impact on the landscape of modern storytelling is undeniable.

在文学和电影领域，术语gore指的是对图形暴力和血腥的明确描绘。这一元素常常用来引起观众强烈的情感反应，无论是震惊、恐惧还是厌恶。虽然一些人可能会争辩说使用gore会削弱故事，但其他人则认为它在传达生活的严酷现实和人类状况方面起着重要作用。Gore可以在各种类型中找到，特别是在恐怖和惊悚叙事中，在这些叙事中，风险很高，生存是不确定的。 一个最著名的gore电影例子是阿尔弗雷德·希区柯克导演的《精神病患者》。尽管今天看来臭名昭著的淋浴场景并不算过于血腥，但在当时由于其暗示暴力和给观众带来的心理恐怖而具有开创性。希区柯克巧妙地运用了gore来创造悬念和恐惧，证明有时暗示的东西比直接展示的东西更可怕。 然而，现代电影中广泛使用的gore引发了关于其对社会影响的辩论。批评者认为，过度的gore可能使观众对暴力麻木，从而导致现实生活中残酷行为的正常化。例如，《电锯惊魂》和《旅馆》这样的电影将gore推向极限，以图形细节展示折磨和死亡。这些电影往往优先考虑冲击价值，而不是叙事深度，使一些观众感到不安，并质疑这种娱乐的道德性。 另一方面，支持gore的人认为，它可以作为一种宣泄的形式。通过在虚构的暴力中面对恐惧和焦虑，观众可能会在自己的压力和创伤中找到释放。恐怖片尤其允许观众在安全的环境中探索人性的阴暗面。观看gore所带来的肾上腺素激增可能令人兴奋，为许多人在他们的电影体验中提供了一种刺激。 此外，gore可以作为隐喻工具来解决更深层次的社会问题。《逃出绝命镇》和《德州电锯杀人狂》等影片利用gore不仅仅是为了震撼，而是为了批判社会规范，突出歧视和暴力的恐怖。在这些背景下，gore成为一种评论的载体，促使观众反思潜在的信息，而不仅仅是对视觉刺激作出反应。 总之，媒体中gore的概念是多方面的，涵盖了娱乐和批判性话语。它在叙事中的存在可以增强情感反应并引发思考，但也提出了关于我们文化中暴力表现的重要问题。作为媒体消费者，认真思考gore的消费至关重要，认识到它对个人心理和社会对暴力看法的潜在影响。无论一个人欣赏还是厌恶gore，它对现代叙事格局的影响都是不可否认的。