gratuitous

简明释义

英[ɡrəˈtjuːɪtəs]美[ɡrəˈtuːɪtəs]

adj. 无理由的，无端的；免费的

英英释义

单词用法

同义词

反义词

例句

1.There's too much crime and gratuitous violence on TV.

电视上充斥着过多的犯罪与无端的暴力。

2.It's not a gratuitous failure and makes enough sense to see to the end.

没有无缘无故的失败，我们可以看到它的结局。

3.And I think it's just totally gratuitous. It's mindless.

我认为这就是完全无偿。这是盲目的。

4.Time and again, Isaacson repeatedly asks Jobs about Gates and Jobs cannot resist the gratuitous dig.

艾萨克森一再追问乔布斯对于盖茨的看法，乔布斯每次都会不由自主地挖苦讽刺。

5.Her advice was quite gratuitous; I can think for myself.

她的忠告相当不需要；我会为自己着想。

6.“The lies in novels are not gratuitous — they fill in the insufficiencies of life, ” he wrote.

“小说中的谎言并非无根无源——它们填补了生活的缺陷”，他写道。

7.“The lies in novels are not gratuitous — they fill in the insufficiencies of life,” he wrote.

“小说中的谎言并非无根无源——它们填补了生活的缺陷”，他写道。

8.Time is life, gratuitous waste other people's time, actually is a gain.

时间就是性命，无端的空耗别人的时间，其实无异于谋财害命。褡。

9.The film was criticized for its gratuitous violence.

这部电影因其无谓的暴力而受到批评。

10.She made a gratuitous remark that offended many people.

她发表了一条无端的评论，冒犯了许多人。

11.His gratuitous advice wasn't needed at the moment.

他那条多余的建议在此刻并没有必要。

12.The book contained gratuitous content that detracted from the main story.

这本书包含了无关紧要的内容，削弱了主要故事。

13.The artist's work was filled with gratuitous nudity that seemed unnecessary.

这位艺术家的作品充满了多余的裸体，似乎没有必要。

作文

In today's society, we often encounter various forms of media that can be both enlightening and disturbing. One term that frequently comes to mind when discussing such content is gratuitous (无谓的, 不必要的). This word refers to something that is unnecessary or unwarranted, especially in the context of violence or explicit content in films, television shows, and literature. The presence of gratuitous elements can significantly impact the viewer's experience and the overall message of the work. For instance, consider a popular action movie that is filled with scenes of extreme violence. While some might argue that these scenes are essential for building tension or developing the plot, others may feel that the violence is gratuitous (无谓的, 不必要的) and detracts from the story. It raises the question: does the inclusion of such graphic content serve a purpose, or is it merely there to shock and entertain? Many filmmakers have faced criticism for relying on gratuitous (无谓的, 不必要的) violence to attract audiences. Critics argue that this approach often overshadows the narrative, reducing complex characters and plots to mere spectacles of bloodshed. This trend can lead to desensitization among viewers, who may become numb to real-life violence as a result of frequent exposure to gratuitous (无谓的, 不必要的) imagery in media. Moreover, the use of gratuitous (无谓的, 不必要的) sexual content in films and television series has also sparked debates about its necessity. While some creators believe that such scenes are integral to character development or the exploration of relationships, others view them as unnecessary additions that objectify individuals and undermine the story. This raises another important question: how do we differentiate between content that enhances a narrative and content that is simply gratuitous (无谓的, 不必要的)? In literature, the concept of gratuitous (无谓的, 不必要的) elements can also apply. Authors sometimes include excessive descriptions of violence or explicit scenes that do not contribute to the plot or character development. Readers may find themselves questioning the author's intent: is the goal to provoke thought and discussion, or is it merely to shock? This distinction is crucial in determining whether the content is meaningful or simply gratuitous (无谓的, 不必要的). Ultimately, the challenge lies in finding a balance between engaging content and gratuitous (无谓的, 不必要的) excess. Creators must be mindful of their audience and the impact their choices have on the perception of their work. By thoughtfully considering the inclusion of potentially gratuitous (无谓的, 不必要的) elements, artists can create more profound and resonant experiences for their viewers and readers. In conclusion, the term gratuitous (无谓的, 不必要的) serves as a reminder of the importance of intentionality in creative expression. As consumers of media, we should remain critical of the content we consume, questioning whether certain elements enhance or detract from the overall message. By doing so, we can foster a culture that values substance over shock value and encourages creators to produce meaningful and impactful work.

在当今社会，我们经常遇到各种形式的媒体，这些媒体既可以启发人心，也可能令人不安。当讨论此类内容时，一个常常浮现在脑海中的词是gratuitous（无谓的，不必要的）。这个词指的是某些东西是不必要的或没有根据的，特别是在电影、电视节目和文学中涉及暴力或露骨内容的上下文中。gratuitous元素的存在可以显著影响观众的体验以及作品的整体信息。 例如，考虑一部充满极端暴力场景的流行动作电影。虽然有人可能会争辩说，这些场景对于建立紧张气氛或推动情节发展是必不可少的，但其他人可能会觉得暴力是gratuitous（无谓的，不必要的），并削弱了故事。这引发了一个问题：这样的图像的包含是否有其目的，还是仅仅为了震惊和娱乐？ 许多电影制片人因依赖gratuitous（无谓的，不必要的）暴力来吸引观众而面临批评。批评者认为，这种方法往往掩盖了叙事，使复杂的人物和情节沦为简单的血腥景象。这种趋势可能导致观众的麻木，因为他们可能由于频繁接触媒体中的gratuitous（无谓的，不必要的）图像而对现实生活中的暴力产生麻木感。 此外，在电影和电视剧中使用gratuitous（无谓的，不必要的）性内容也引发了关于其必要性的辩论。虽然一些创作者认为这些场景对角色发展或关系探索至关重要，但其他人则将其视为不必要的附加内容，物化个体并削弱故事。这又提出了另一个重要问题：我们如何区分增强叙事的内容和仅仅是gratuitous（无谓的，不必要的）内容？ 在文学中，gratuitous（无谓的，不必要的）元素的概念同样适用。作者有时会包括过多的暴力描述或不必要的露骨场景，而这些内容并未对情节或角色发展作出贡献。读者可能会质疑作者的意图：目的是引发思考和讨论，还是仅仅为了震惊？这种区别对于确定内容是有意义的，还是仅仅是gratuitous（无谓的，不必要的）至关重要。 最终，挑战在于找到引人入胜的内容与gratuitous（无谓的，不必要的）过度之间的平衡。创作者必须注意他们的观众及其选择对作品感知的影响。通过深思熟虑地考虑潜在的gratuitous（无谓的，不必要的）元素的包含，艺术家可以为观众和读者创造更深刻和更有共鸣的体验。 总之，词语gratuitous（无谓的，不必要的）提醒我们在创造性表达中注重意图的重要性。作为媒体的消费者，我们应该对所消费的内容保持批判态度，质疑某些元素是增强了整体信息还是削弱了它。通过这样做，我们可以培养一种重视实质而非震惊价值的文化，并鼓励创作者制作有意义且富有影响力的作品。