hyperrealist

简明释义

英[ˌhaɪpəˈrɪəlɪst]美[ˌhaɪpəˈrɪəlɪst]

超级写实主义者

超级写实主义的

英英释义

单词用法

同义词

反义词

例句

1.Many artworks, such as those by Piccinini and hyperrealist sculptor Ron Mueck, could easily be mistaken for a bizarre, seemingly mysterious phenomenon when seen out of context.

许多艺术作品，如皮奇尼尼和高度写实主义雕塑家罗恩·穆克的作品，在没有背景的情况下，很容易被误以为是怪诞的而神秘的现象。

2.Many artworks, such as those by Piccinini and hyperrealist sculptor Ron Mueck, could easily be mistaken for a bizarre, seemingly mysterious phenomenon when seen out of context.

许多艺术作品，如皮奇尼尼和高度写实主义雕塑家罗恩·穆克的作品，在没有背景的情况下，很容易被误以为是怪诞的而神秘的现象。

3.The artist is known as a hyperrealist, creating paintings that look almost like photographs.

这位艺术家被称为超现实主义者，创作的画作看起来几乎像照片。

4.In the gallery, I was amazed by the work of a hyperrealist sculptor who captures every tiny detail.

在画廊里，我被一位超现实主义者雕塑家的作品震惊，他捕捉到了每一个微小的细节。

5.Many hyperrealist artists use advanced techniques to achieve their stunning results.

许多超现实主义者艺术家使用先进的技术来实现他们惊人的作品。

6.The film's cinematography was so hyperrealist that it felt like we were living in the scenes.

这部电影的摄影风格如此超现实主义，以至于我们感觉就像生活在这些场景中。

7.As a hyperrealist, her goal is to evoke emotions through lifelike representations.

作为一名超现实主义者，她的目标是通过逼真的表现唤起情感。

作文

In the world of art, various movements have emerged over the centuries, each with its own unique characteristics and philosophies. One such movement that has gained significant attention in recent years is hyperrealism. This artistic style, which aims to create paintings or sculptures that are so realistic they can be mistaken for high-resolution photographs, challenges our perceptions of reality and invites us to reconsider what we deem as real. The term hyperrealist (超现实主义者) is often used to describe artists who work within this genre, pushing the boundaries of realism to create works that are both visually stunning and thought-provoking. The origins of hyperrealism can be traced back to the late 1960s and early 1970s, emerging as a reaction against the abstract movements that dominated the art scene at the time. Artists sought to capture the world around them in a way that was more detailed and lifelike than traditional realism. What sets hyperrealist (超现实主义者) art apart is not just the level of detail but also the emotional resonance it carries. These artists often focus on mundane subjects—ordinary people, everyday objects, and common scenes—and elevate them to a level of significance that compels viewers to engage with the work on a deeper level. One of the key techniques employed by hyperrealist (超现实主义者) artists is the use of photography as a reference. Many hyperrealists begin their process by taking high-resolution photographs of their subjects, which they then use as a guide for their paintings or sculptures. This reliance on photography allows them to capture intricate details, such as the texture of skin, the play of light on surfaces, and even the subtleties of human expression. As a result, the finished pieces often appear almost lifelike, blurring the line between art and reality. Prominent artists within the hyperrealist movement include Chuck Close, who is known for his large-scale portraits that require immense patience and precision, and Ron Mueck, whose sculptures of human figures are both strikingly realistic and emotionally evocative. These artists exemplify the skill and dedication required to master the hyperrealist (超现实主义者) style, showcasing the potential of art to reflect the complexities of human experience. However, the hyperrealist approach does not come without its criticisms. Some argue that the focus on technical skill and realism detracts from the emotional and conceptual aspects of art. Critics contend that true art should evoke feelings and provoke thought rather than merely replicate reality. In response, many hyperrealist (超现实主义者) artists emphasize that their work is not simply about mimicking life but rather about exploring the nature of perception itself. By presenting the familiar in an extraordinary way, they invite viewers to question their understanding of reality and the role of art in shaping that perception. In conclusion, the hyperrealist (超现实主义者) movement represents a fascinating intersection of art and reality. Through meticulous attention to detail and a commitment to capturing the essence of the world around us, hyperrealists challenge our perceptions and encourage us to engage with the ordinary in new and meaningful ways. As this movement continues to evolve, it will undoubtedly inspire future generations of artists to explore the boundaries of realism and redefine what it means to create art in a modern context.

在艺术的世界中，各种运动在几个世纪以来不断涌现，每一种都有其独特的特征和哲学。其中，近年来备受关注的一种运动是超现实主义。这种艺术风格旨在创作出如此逼真的画作或雕塑，以至于可以被误认为高分辨率的照片，它挑战了我们对现实的感知，并邀请我们重新考虑我们所认为的真实。术语hyperrealist（超现实主义者）通常用于描述在这一流派内工作的艺术家，他们推动了现实主义的边界，以创作出既视觉惊人又引人深思的作品。 超现实主义的起源可以追溯到20世纪60年代末和70年代初，作为对当时主导艺术界的抽象运动的反应而出现。艺术家们试图以比传统现实主义更详细、更生动的方式捕捉他们周围的世界。使hyperrealist（超现实主义者）艺术与众不同的不仅是细节的程度，还有它所承载的情感共鸣。这些艺术家通常专注于平凡的主题——普通人、日常物品和普通场景——并将它们提升到一种重要性，促使观众与作品进行更深层次的互动。 hyperrealist（超现实主义者）艺术家采用的关键技术之一是使用摄影作为参考。许多超现实主义者在创作过程中首先拍摄高分辨率的照片，然后用作他们绘画或雕塑的指南。这种对摄影的依赖使他们能够捕捉复杂的细节，例如皮肤的纹理、光线在表面上的变化，甚至是人类表情的微妙之处。因此，完成的作品往往显得几乎栩栩如生，模糊了艺术与现实之间的界限。 超现实主义运动中的著名艺术家包括查克·克洛斯，他以需要巨大耐心和精确度的大型肖像画而闻名，以及罗恩·穆克，他的人物雕塑既令人震撼又富有情感。这些艺术家展示了掌握hyperrealist（超现实主义者）风格所需的技能和奉献精神，展示了艺术反映人类经验复杂性的潜力。 然而，超现实主义的方法并非没有批评。一些人认为，过于关注技术技能和现实主义会削弱艺术的情感和概念方面。批评者认为，真正的艺术应该唤起情感并引发思考，而不仅仅是复制现实。对此，许多hyperrealist（超现实主义者）艺术家强调，他们的作品不仅仅是模仿生活，而是探索感知的本质。通过以非凡的方式呈现熟悉的事物，他们邀请观众质疑自己对现实的理解以及艺术在塑造这种感知中的角色。 总之，hyperrealist（超现实主义者）运动代表了艺术与现实之间一个迷人的交集。通过对细节的细致关注和对捕捉我们周围世界的承诺，超现实主义者挑战我们的感知，并鼓励我们以新的和有意义的方式与平凡事物互动。随着这一运动的不断发展，它无疑会激励未来几代艺术家探索现实主义的边界，并重新定义在现代背景下创作艺术的意义。