imageless

简明释义

英[ˈɪməʤləs]美[ˈɪmeɪdʒləs]

adj. 无形象的；无意象的

英英释义

单词用法

同义词

反义词

例句

1.Imageless systems, which use a virtual model supplemented by registration data, have overcome concerns about exposure to radiation.

而不依赖影像的操作系统，使用由注册数据补充而成的虚拟的模型，已经克服放射线暴露的危险。

2.Imageless systems, which use a virtual model supplemented by registration data, have overcome concerns about exposure to radiation.

而不依赖影像的操作系统，使用由注册数据补充而成的虚拟的模型，已经克服放射线暴露的危险。

3.Würzburg School, headed by Oswald Külpe, discovered human imageless thought by using systematic experimental introspection.

以屈尔佩为首的符茨堡学派通过系统性实验内省法发现了人类思维的无意象特征。

4.The experiments of imageless thought triggered a firestorm of controversy.

围绕无意象思维实验引发了一场激烈的论战。

5.The artist's work was described as imageless, focusing on emotions rather than specific visuals.

这位艺术家的作品被描述为无形象的，专注于情感而非具体的视觉效果。

6.In her poetry, she often uses imageless language to evoke feelings without painting a picture.

在她的诗歌中，她常常使用无形象的语言来唤起情感，而不描绘画面。

7.The film's imageless scenes left the audience to interpret their own meanings.

电影中无形象的场景让观众自行解释其含义。

8.His imageless approach to design emphasizes functionality over aesthetics.

他对设计的无形象的方法强调功能性而非美学。

9.The meditation session encouraged an imageless state of mind, free from distractions.

冥想课程鼓励一种无形象的心态，远离干扰。

作文

In the realm of literature and art, the concept of being imageless can evoke a myriad of interpretations and reflections. To be imageless means to exist without the presence of visual imagery or representation. This idea can be particularly intriguing when applied to poetry, where the absence of concrete images can lead to a deeper exploration of emotions and abstract concepts. For instance, consider the works of poets who utilize language in such a way that they evoke feelings and thoughts without painting a vivid picture in the reader's mind. Instead of relying on traditional imagery, these poets create an imageless landscape that invites readers to engage with their own experiences and emotions. The beauty of imageless poetry lies in its ability to transcend the limitations of visual representation. It allows for a more personal connection between the reader and the text, as individuals are compelled to fill in the gaps with their own imagination and interpretation. This can lead to a rich tapestry of understanding, where each reader brings their unique perspective to the work. In this sense, imageless poetry becomes a mirror, reflecting the inner thoughts and feelings of those who engage with it. Moreover, the notion of being imageless can also be applied to philosophical discussions. In a world saturated with images and visual stimuli, the idea of stripping away these layers to reach a more fundamental understanding of existence can be both liberating and daunting. When we think about the essence of our experiences, we often find that they cannot be easily captured by images alone. The complexity of human emotions, thoughts, and interactions often eludes simple visual representation, leading us to a state of imageless contemplation. This imageless approach can be particularly relevant in today's society, where social media and digital platforms bombard us with constant imagery. We are often overwhelmed by the need to present ourselves visually, to curate an image that aligns with societal expectations. In this context, embracing an imageless existence can serve as a powerful antidote. It encourages authenticity and introspection, allowing individuals to explore their true selves beyond the superficial layers of visual representation. In conclusion, the concept of imageless invites us to reconsider the role of imagery in our lives, whether in literature, art, or personal expression. It challenges us to engage with our emotions and thoughts on a deeper level, fostering a connection that transcends the visual. By embracing the imageless, we open ourselves up to new possibilities of understanding and self-discovery, ultimately enriching our experiences in a world that often prioritizes the visual over the profound. As we navigate through this imagery-laden society, let us not forget the power of the imageless and the depth it can bring to our lives and our creativity.

在文学和艺术的领域中，‘imageless’的概念可以引发无数的解读和反思。‘imageless’意指没有视觉意象或表现的存在。当这个理念应用于诗歌时，其吸引力尤其引人注目，因为缺乏具体图像可以导致对情感和抽象概念更深层次的探索。例如，考虑那些以某种方式运用语言的诗人，他们在不在读者心中描绘生动画面的情况下，引发感觉和思考。与其依赖传统意象，这些诗人创造了一个‘imageless’的景观，邀请读者与自己的经历和情感进行互动。 ‘imageless’诗歌的美在于它能够超越视觉表现的局限。它允许读者与文本之间建立更个人化的联系，因为个体被迫用自己的想象力和解读填补空白。在这种意义上，‘imageless’的诗歌成为一面镜子，反映出那些参与其中的人的内心思想和感受。 此外，‘imageless’的概念也可以应用于哲学讨论。在一个被图像和视觉刺激淹没的世界中，剥离这些层次以达到对存在更基本理解的理念既可以令人解放，也可能令人生畏。当我们思考我们经历的本质时，我们常常发现这些体验无法仅通过图像来捕捉。人类情感、思想和互动的复杂性常常超越简单的视觉表现，导致我们进入一种‘imageless’的沉思状态。 这种‘imageless’的方法在当今社会中尤为相关，在这里，社交媒体和数字平台不断向我们轰炸图像。我们常常被呈现自我的视觉需求所压倒，精心策划一个与社会期望相符的形象。在这种背景下，拥抱‘imageless’的存在可以作为一种强有力的解药。它鼓励真实和内省，让个体探索超越视觉表现表面层的真实自我。 总之，‘imageless’的概念邀请我们重新考虑图像在生活中的角色，无论是在文学、艺术还是个人表达中。它挑战我们在更深层次上与情感和思想进行互动，促进超越视觉的连接。通过拥抱‘imageless’，我们为理解和自我发现的新可能性打开大门，最终丰富我们在一个往往优先考虑视觉而非深刻的世界中的体验。当我们在这个充满图像的社会中航行时，让我们不要忘记‘imageless’的力量，以及它能为我们的生活和创造力带来的深度。