omniscient

简明释义

英[ɒmˈnɪsiənt]美[ɑːmˈnɪʃənt]

adj. 全知的；无所不知的

n. 上帝；无所不知者

英英释义

单词用法

同义词

反义词

例句

1.There are only two kinds of people the most attractive, one kind is omniscient, a person is absolutely ignorant of.

只有两种人最具有吸引力，一种是无所不知的人，一种是一无所知的人。

2.Demigods in Warcraft are immortal, but they are neither omniscient nor omnipotent.

半神在魔兽世界里属于不朽种族，但他们既非无所不知也非无所不能。

3.Here, the glory of God refers to that unique attributes of God, and his omniscient and omnipotent.

这里，上帝的荣耀就是指上帝那无与伦比的属性，他的全知与全能。

4.What if its point of view isn't omniscient but fragmented?

要是这种观点不是无所不知而是支离破碎呢？

5.The novel has an omniscient narrator.

这部小说有一个全知全能的叙述者。

6.An omniscient and omnipotent God must be above such humanlike constraints.

全知与全能的上帝理当超越人类能力的限制。

7.You are absolutely omniscient and have no not Xiao, really too terrible.

你简直就是无所不知、无所不晓，实在太可怕了。

8.In many novels, the narrator is described as being omniscient, meaning they know everything about the characters and events.

在许多小说中，叙述者被描述为全知的，这意味着他们对角色和事件了如指掌。

9.The author's use of an omniscient perspective allows readers to understand the thoughts and feelings of all characters.

作者使用全知的视角使读者能够理解所有角色的思想和感受。

10.An omniscient being would have the ability to know the past, present, and future simultaneously.

一个全知的存在能够同时知道过去、现在和未来。

11.Critics often argue that an omniscient narrator can make a story feel less personal.

评论家常常认为，全知的叙述者会使故事显得不那么个人化。

12.In religious texts, God is often portrayed as omniscient, having complete knowledge of everything.

在宗教经典中，上帝常常被描绘为全知的，对一切事物拥有完全的知识。

作文

In literature, the concept of an omniscient narrator plays a crucial role in shaping the reader's experience. An omniscient narrator is one who knows everything about the characters and events in the story. This narrative style allows for a deeper insight into the thoughts and emotions of different characters, providing a richer understanding of the plot. For instance, in classic novels such as 'Pride and Prejudice' by Jane Austen, the omniscient point of view allows readers to see the inner conflicts of Elizabeth Bennet and Mr. Darcy, revealing their motivations and flaws. The omniscient narrator can move seamlessly between different characters’ perspectives, creating a tapestry of interconnected lives and experiences. The power of an omniscient narrator lies in its ability to provide a comprehensive view of the story. Unlike a first-person or third-person limited perspective, an omniscient narrator does not confine the reader to the viewpoint of a single character. Instead, the reader is granted access to the thoughts and feelings of multiple characters, which can enhance emotional engagement and understanding. For example, in Leo Tolstoy's 'Anna Karenina', the omniscient narrative allows readers to explore the complexities of love, betrayal, and societal expectations through various characters’ eyes. However, the use of an omniscient narrator also comes with challenges. One potential drawback is that it can create a sense of distance between the reader and the characters. When a narrator knows everything, it might reduce the suspense and tension that arise from uncertainty. Readers may feel less invested in the characters’ journeys if they are constantly aware of their fates. Therefore, skilled authors must balance the advantages of an omniscient perspective with the need to maintain intrigue and emotional connection. Moreover, the omniscient narrative voice can sometimes feel intrusive, as it may interrupt the flow of the story to provide background information or commentary. While this can enrich the narrative, it risks pulling readers out of the immersive experience. Authors like Charles Dickens often employed an omniscient narrator to comment on social issues, which can be effective but may also distract from the main storyline. In conclusion, the use of an omniscient narrator is a powerful tool in storytelling. It allows authors to convey complex narratives and delve into the inner workings of characters’ minds. However, it requires careful handling to ensure that the narrative remains engaging and cohesive. The omniscient perspective offers a unique lens through which readers can explore diverse themes and emotions, making it a valuable technique in the realm of literature. As readers, we should appreciate the depth and richness that an omniscient narrator brings to our understanding of stories and the human experience.

在文学中，全知叙述者的概念在塑造读者体验方面发挥着至关重要的作用。全知叙述者是指对故事中的角色和事件了如指掌的人。这种叙述风格使得对不同角色的思想和情感有更深刻的洞察，从而提供了对情节更丰富的理解。例如，在简·奥斯汀的经典小说《傲慢与偏见》中，全知的视角使读者能够看到伊丽莎白·班纳特和达西先生内心的冲突，揭示他们的动机和缺陷。全知叙述者可以在不同角色的视角之间无缝切换，创造出一个相互关联的生活和经历的画面。 全知叙述者的力量在于其提供了对故事的全面视角。与第一人称或第三人称有限视角不同，全知叙述者并不将读者限制在单一角色的观点中。相反，读者被授予访问多个角色的思想和感受的权限，这可以增强情感参与感和理解力。例如，在列夫·托尔斯泰的《安娜·卡列尼娜》中，全知叙述使读者能够通过各种角色的眼睛探索爱的复杂性、背叛和社会期望。 然而，使用全知叙述者也带来了挑战。一个潜在的缺点是，它可能会在读者和角色之间产生距离感。当叙述者知道一切时，可能会减少源于不确定性的悬念和紧张感。如果读者始终清楚角色的命运，他们可能会对角色的旅程投入较少。因此，熟练的作者必须平衡全知视角的优势与保持悬念和情感联系的需要。 此外，全知叙述声音有时可能显得侵入性，因为它可能会打断故事的流动，提供背景信息或评论。虽然这可以丰富叙事，但也有可能使读者脱离沉浸式体验。像查尔斯·狄更斯这样的作者经常使用全知叙述者来评论社会问题，这可能有效，但也可能分散主要情节的注意力。 总之，使用全知叙述者是讲故事中的一种强大工具。它允许作者传达复杂的叙事并深入探讨角色内心的运作。然而，这需要谨慎处理，以确保叙事保持吸引力和连贯性。全知视角提供了一种独特的透镜，通过它，读者可以探索多样的主题和情感，使其成为文学领域中的一种宝贵技巧。作为读者，我们应该欣赏全知叙述者为我们理解故事和人类经验所带来的深度和丰富性。