overglaze

简明释义

英[ˈəʊvəˌɡleɪz]美[ˌovəˈɡlez]

n. （陶器釉面上的）彩绘；（陶器釉面上的）第二层釉

v. 涂外层釉于

adj. （绘画、印花等）做在釉面上的；涂外层釉的

第 三 人 称 单 数 o v e r g l a z e s

现 在 分 词 o v e r g l a z i n g

过 去 式 o v e r g l a z e d

过 去 分 词 o v e r g l a z e d

英英释义

单词用法

同义词

反义词

例句

1.The Outlines were then coloured in with red, yellow, green and aubergine overglaze enamels, and the object was fired again at a lower temperature.

然后轮口就转为红、黄、绿、紫交杂的瓷釉，然后再用低温烧制。

2.Methods of making ceramic tableware are overglaze color, underglaze color and glazed. The harmful metals like cadmium and lead are mainly from the enamel paint.

陶瓷餐具的制作方法分为釉上彩、釉下彩、釉中彩三种，其中的有害金属铅、镉等主要来源于釉上颜料。

3.Through a research for the landscape works of WangYeTing's famille rose tracks, I will analyse the affection of the light crimson to the style changes of the turquois overglaze landscape paintings.

通过对汪野亭的粉彩山水作品的研究，剖析浅绛彩对青绿山水瓷画风格演变的影响。

4.But the surface of overglaze ceramics is uneven. Overglaze ceramics have exceeded risks of heavy metals.

而釉上彩陶瓷制品表面有凹凸不平，有重金属超标的隐患。

5.A rare, heavy and very finely potted pair of bottle vases well decorated with stylized lotus flowers in underglaze blue with Doucai style overglaze enamel decoration.

一件精美稀有、胎体厚重的对瓶，清华莲文上以斗彩风格施彩釉。

6.The wetting performance can be improved with the increase of surface roughness of base metal or with the decrease of the content of overglaze in priming glaze.

增加基体表面粗糙度和减小面釉在底釉中的含量，可促进润湿性的改善。

7.The effect of alkaline metal oxides and fluorides on the performances of green leadless fluxing agents for overglaze colors were studied by means of orthogonal experiments.

应用正交试验法，研究了碱金属氧化物及氟化物对环保型无铅釉上彩熔剂性能的影响。

8.The artist decided to apply a thin layer of overglaze to enhance the colors of the pottery.

艺术家决定在陶器上涂上一层薄薄的上釉以增强颜色。

9.After firing the ceramic pieces, she added an overglaze to give them a glossy finish.

在烧制陶瓷后，她添加了上釉以使其表面光滑。

10.Using overglaze can help achieve a more vibrant look for your ceramic art.

使用上釉可以帮助你的陶艺作品获得更鲜艳的外观。

11.The overglaze technique is essential for creating a protective layer on fragile ceramics.

使用上釉技术对脆弱陶瓷创造保护层是至关重要的。

12.She chose a matte overglaze to give her sculptures a unique texture.

她选择了一种哑光上釉，给她的雕塑增添了独特的质感。

作文

The art of pottery has been practiced for thousands of years, evolving through various techniques and styles. One such technique that stands out in the world of ceramics is the application of an overglaze. An overglaze refers to a decorative layer applied on top of a glaze that has already been fired onto a ceramic piece. This method allows artists to add intricate designs and vibrant colors that would not be possible with underglazes alone. The process of applying an overglaze involves several steps, each requiring precision and skill. Initially, the potter creates a piece using clay and covers it with a base glaze, which is then fired in a kiln. Once this first firing is complete, the artist can begin to apply the overglaze. This can be done using brushes, sprays, or even stencils, depending on the desired effect. The overglaze can be made from a variety of materials, including metallic oxides and colored glass powders, which contribute to the final aesthetic of the piece. After the overglaze has been applied, the piece undergoes a second firing at a lower temperature. This step is crucial because it ensures that the overglaze adheres properly to the surface without affecting the underlying glaze. The result is a beautifully decorated ceramic item, often characterized by its glossy finish and rich colors. The use of overglaze has a long history, particularly in cultures such as Chinese porcelain, where artisans perfected the technique to create stunning works of art. These pieces were highly prized and often featured elaborate designs, including landscapes, floral patterns, and intricate motifs. The ability to layer colors and textures with overglaze opened up new avenues for creativity, allowing artists to express their visions in unique ways. In contemporary ceramics, the application of overglaze continues to thrive. Many modern potters experiment with this technique, pushing the boundaries of traditional pottery. They may incorporate mixed media or unconventional materials, resulting in innovative designs that challenge the norms of ceramic art. Workshops and classes focusing on overglaze techniques are increasingly popular, attracting both beginners and experienced artists eager to explore this versatile method. Moreover, the environmental impact of ceramic production has led to a growing interest in sustainable practices within the industry. Artists are now more conscious of the materials they use, seeking eco-friendly alternatives for their overglaze compositions. This shift not only benefits the planet but also inspires a new generation of potters to think critically about their craft. In conclusion, the application of overglaze is a fascinating aspect of ceramic art that enhances the beauty and complexity of pottery. It represents a blend of tradition and innovation, allowing artists to create pieces that resonate with both historical significance and contemporary relevance. As we continue to appreciate the art of pottery, the role of overglaze will undoubtedly remain a vital element in the ongoing dialogue between form and function in the world of ceramics.

陶艺的艺术已经有数千年的历史，经过各种技术和风格的发展。其中一种在陶瓷世界中脱颖而出的技术是施加釉上彩。釉上彩是指在已经烧制的陶瓷作品的釉面上施加的装饰层。这种方法使艺术家能够添加精美的设计和鲜艳的颜色，这在单独使用底釉时是无法实现的。施加釉上彩的过程涉及多个步骤，每个步骤都需要精确和技巧。 最初，陶工用粘土制作出一件作品，并用底釉覆盖，然后在窑中烧制。第一次烧制完成后，艺术家可以开始施加釉上彩。这可以通过刷子、喷雾或甚至模板来完成，具体取决于所需的效果。釉上彩可以由多种材料制成，包括金属氧化物和彩色玻璃粉，这些材料有助于作品的最终美学。 施加完釉上彩后，作品在较低温度下进行第二次烧制。这一步至关重要，因为它确保釉上彩正确附着在表面上，而不会影响底部的釉面。最终的结果是一件装饰精美的陶瓷物品，通常以其光泽的表面和丰富的颜色为特征。 釉上彩的使用历史悠久，特别是在中国瓷器文化中，工匠们完善了这一技术，创造出令人惊叹的艺术作品。这些作品备受珍视，常常具有精美的设计，包括风景、花卉图案和复杂的图案。通过釉上彩分层颜色和纹理的能力，为创造力打开了新的途径，使艺术家能够以独特的方式表达他们的愿景。 在当代陶瓷艺术中，施加釉上彩的技艺依然蓬勃发展。许多现代陶工尝试这种技术，推动传统陶艺的界限。他们可能会结合混合媒体或非常规材料，创造出挑战陶艺规范的创新设计。专注于釉上彩技术的工作坊和课程越来越受欢迎，吸引了初学者和经验丰富的艺术家渴望探索这一多功能的方法。 此外，陶瓷生产对环境的影响促使业界对可持续实践的兴趣日益增长。艺术家们现在更加关注他们使用的材料，寻求环保替代品用于他们的釉上彩创作。这一转变不仅有利于地球，也激励新一代陶工批判性地思考他们的工艺。 总之，施加釉上彩是陶艺艺术中一个迷人的方面，它增强了陶器的美感和复杂性。它代表了传统与创新的结合，使艺术家能够创作出既具有历史意义又具有当代相关性的作品。随着我们继续欣赏陶艺，釉上彩的作用无疑将继续成为陶瓷世界中形式与功能之间持续对话的重要元素。