playwriting

简明释义

英[ˈpleɪˌraɪtɪŋ]美[ˈpleɪraɪtɪŋ]

n. 剧本创作；编写剧本

英英释义

单词用法

同义词

反义词

例句

1.I am from Shanghai, China. I'm coming to visit my daughter. She is a graduate student of theatre playwriting at Columbia University.

我来自中国上海。我来看我的女儿。她是哥伦比亚大学戏剧系编剧专业研究生。

2.Huang is of transitional significance to playwriting in the mid and late leaf of Qing Dynasty.

在清代中后期，黄燮清是一位有着承前启后作用的戏曲家。

3.By being an upstanding individual, my playwriting teacher in middle school acted as an inspiring male role model at a time when I needed one most.

作为一个诚实正直的人，我初中的剧本写作老师在我最需要的时候扮演了一个鼓舞人的男性角色。

4.Freddie went to Harvard and studied playwriting at the Yale School of Drama.

弗莱迪进入哈佛深造，在耶鲁戏剧学院学习剧本写作。

5.What is a Theatrical Triathlon? It is the athletic meeting of three theatre power "sports" -playwriting, directing, and acting.

什么是戏剧的三项全能运动？他是运动员三个戏剧量运动的会议—创作，导演和表演。

6.My playwriting teacher from middle school left, but I handled it.

我初中的剧本写作老师离开了，但我能够适应。

7.I loved these classes so much that I graduated with a double major in playwriting and psychology.

我喜欢这些课程所以我毕业的时候获得了编剧和心理双学位。

8.Dramatists' ties to commerce were severed, and the greatest explosion of playwriting talent the modern world has ever seen ended.

戏剧家们同商业的纽带被切断了；现代社会曾经见识过的戏剧繁荣，也已经一去不复返了。

9.Playwriting is the access to greater social achievement for Thomas Bernhard.

戏剧是托马斯·贝恩哈德获得更大社会成就的途径。

10.She decided to take a course in playwriting to improve her storytelling skills.

她决定参加一个剧本创作课程，以提高她的讲故事技巧。

11.The festival featured several new works of playwriting by emerging playwrights.

该节日展出了几部新兴剧作家的新作品，涉及剧本创作。

12.His passion for playwriting started when he was in high school.

他对剧本创作的热情始于高中时期。

13.Many famous directors began their careers with playwriting before moving to film.

许多著名导演在转向电影之前，都以剧本创作开始了他们的职业生涯。

14.The workshop on playwriting helped participants develop their unique voices.

关于剧本创作的研讨会帮助参与者发展他们独特的声音。

作文

The art of playwriting is a fascinating and intricate process that requires not only creativity but also a deep understanding of human emotions and relationships. At its core, playwriting involves crafting a narrative that unfolds through dialogue and action, allowing characters to come to life on stage. This unique form of storytelling has been a vital part of culture for centuries, from the ancient Greek tragedies to modern-day dramas. One of the most essential elements of playwriting is character development. A playwright must create believable and relatable characters that resonate with the audience. Each character should have distinct motivations, backgrounds, and arcs that contribute to the overall story. For instance, in Arthur Miller's "Death of a Salesman," the protagonist Willy Loman is portrayed as a complex character struggling with his self-worth and the pressures of society. The depth of Willy's character is what makes the play so impactful and memorable. Another critical aspect of playwriting is the structure of the play. Most plays follow a three-act structure, which includes the setup, confrontation, and resolution. This format allows for the gradual development of tension and conflict, leading to a satisfying climax and conclusion. Playwrights must carefully plan their scenes to ensure that each moment contributes to the overall narrative arc. For example, Tennessee Williams' "A Streetcar Named Desire" masterfully builds tension through its carefully crafted scenes, leading to a powerful and tragic conclusion. Dialogue is perhaps the most significant tool in playwriting. It is through dialogue that characters express their thoughts, feelings, and conflicts. Effective dialogue should sound natural and reflect the characters' personalities while also advancing the plot. Playwrights often use subtext—what is unsaid or implied—to add layers of meaning to their dialogue. This technique can create tension and intrigue, as the audience picks up on the underlying emotions that the characters may not openly express. Moreover, playwriting is not just about writing; it also involves collaboration with directors, actors, and designers. Once a script is written, it undergoes various stages of development, including readings and workshops, where feedback is gathered to refine the work. This collaborative process can significantly enhance the final production, as different perspectives contribute to the interpretation of the text. Playwrights must be open to revisions and willing to adapt their vision to suit the needs of the production team. In conclusion, playwriting is a multi-faceted art form that blends creativity, structure, and collaboration. It requires a deep understanding of character, dialogue, and narrative structure to create compelling stories that resonate with audiences. Whether it’s a heart-wrenching tragedy or a light-hearted comedy, the power of playwriting lies in its ability to reflect the complexities of human experience and evoke a range of emotions. As we continue to explore this art form, we can appreciate the skill and dedication that goes into creating works that entertain, challenge, and inspire us. 剧本写作是一种迷人而复杂的过程，不仅需要创造力，还需要对人类情感和关系的深刻理解。在其核心，剧本写作涉及通过对话和行动构建一个展开的叙事，让角色在舞台上栩栩如生。这种独特的叙事形式几个世纪以来一直是文化的重要组成部分，从古希腊悲剧到现代戏剧。 剧本写作中最重要的元素之一是角色发展。剧作家必须创造可信且相关的角色，使观众产生共鸣。每个角色都应具有不同的动机、背景和弧线，这些都对整体故事有所贡献。例如，在阿瑟·米勒的《推销员之死》中，主角威利·洛曼被描绘成一个复杂的角色，挣扎于自我价值和社会压力之间。威利角色的深度使得这部剧作如此有影响力和令人难忘。 剧本写作的另一个关键方面是剧本的结构。大多数剧本遵循三幕结构，包括设置、对抗和解决。这种格式允许张力和冲突的逐渐发展，导致令人满意的高潮和结局。剧作家必须仔细规划他们的场景，以确保每一时刻都对整体叙事弧线有所贡献。例如，田纳西·威廉斯的《欲望号街车》通过精心构建的场景巧妙地建立了张力，最终导致一个强大而悲惨的结局。 对话可能是剧本写作中最重要的工具。正是通过对话，角色表达他们的思想、感受和冲突。有效的对话应该听起来自然，并反映角色的个性，同时推动情节发展。剧作家常常使用潜台词——未说出或暗示的内容——为他们的对话增添层次感。这种技巧可以创造紧张感和悬念，因为观众会注意到角色可能不会公开表达的潜在情感。 此外，剧本写作不仅仅是写作；它还涉及与导演、演员和设计师的合作。一旦剧本完成，就会经历多个发展阶段，包括朗读和研讨会，在这些阶段收集反馈以完善作品。这种合作过程可以显著增强最终制作的效果，因为不同的视角有助于对文本的解读。剧作家必须愿意接受修订，并愿意调整他们的愿景以适应制作团队的需求。 总之，剧本写作是一种多面艺术形式，融合了创造力、结构和合作。它需要对角色、对话和叙事结构的深刻理解，以创造引人入胜的故事，与观众产生共鸣。无论是感人至深的悲剧还是轻松幽默的喜剧，剧本写作的力量在于它能够反映人类经验的复杂性，并唤起一系列情感。随着我们继续探索这种艺术形式，我们可以欣赏到创作出娱乐、挑战和激励我们的作品所需的技巧和奉献精神。