scopophilia

简明释义

英[ˌskoʊpəˈfɪliə]美[ˌskoʊpəˈfɪliə]

n. 窥视色情癖；[医] 窥阴癖；[心理][医] 窃视症

英英释义

单词用法

同义词

反义词

例句

1.The image signal suggests somewhat release of scopophilia and id.

影像符号内部存在某种“窥视”结构，诱导本我的释放。

2.The image signal suggests somewhat release of scopophilia and id.

影像符号内部存在某种“窥视”结构，诱导本我的释放。

3.In cinema studies, the concept of scopophilia is often discussed in relation to the audience's pleasure in looking.

在电影研究中，scopophilia的概念通常与观众观看的乐趣相关。

4.The artist's work explores themes of scopophilia, inviting viewers to reflect on their own desire to observe.

这位艺术家的作品探讨了scopophilia的主题，邀请观众反思自己观察的欲望。

5.Many films utilize scopophilia to create suspense and engage the audience more deeply.

许多电影利用scopophilia来制造悬念并更深地吸引观众。

6.In psychology, scopophilia can be examined as a part of human sexuality and desire.

在心理学中，scopophilia可以作为人类性欲和欲望的一部分进行研究。

7.The concept of scopophilia raises ethical questions about voyeurism in art and media.

scopophilia的概念引发了关于艺术和媒体中窥视行为的伦理问题。

作文

In the realm of psychology and media studies, the term scopophilia refers to the pleasure derived from looking. This concept has profound implications in understanding human behavior, particularly in the context of visual culture. From an early age, individuals exhibit a natural curiosity about their surroundings, often leading to a fascination with visual stimuli. This innate desire to observe is not merely a passive activity; rather, it plays a significant role in shaping our experiences and interactions with the world. Scopophilia can be seen as a double-edged sword, where the act of looking can lead to both enjoyment and discomfort, depending on the context and the nature of what is being observed. In contemporary society, scopophilia manifests prominently through various forms of media, including film, photography, and social media platforms. The advent of technology has made it easier than ever for individuals to engage in this act of looking, often blurring the lines between observer and participant. For instance, when watching a movie, viewers are not just passively absorbing the narrative; they are actively engaged in a process of interpretation and emotional response. This engagement can evoke a range of feelings, from joy and excitement to discomfort and voyeurism. The concept of scopophilia also raises ethical questions about privacy and consent. In an age where personal moments are frequently shared online, the act of looking can become problematic. The line between appreciation and invasion is often thin, leading to debates about the morality of observing others without their consent. This is particularly evident in the phenomenon of 'celebrity culture,' where public figures are constantly scrutinized by the media and the public alike. The desire to look can transform into an obsession, resulting in harmful consequences for those who are subjected to relentless observation. Moreover, scopophilia is intricately connected to issues of power dynamics. The act of looking is not neutral; it often reflects societal structures and hierarchies. For example, in many cultures, the gaze is gendered, with women frequently objectified through the male gaze in visual media. This dynamic reinforces stereotypes and perpetuates inequality, highlighting the need for critical analysis of how we consume visual content. Understanding scopophilia in this context encourages viewers to reflect on their own behaviors and the implications of their consumption habits. In conclusion, scopophilia is a multifaceted concept that encompasses both the joy of observation and the potential for ethical dilemmas. As we navigate a world saturated with visual stimuli, it is essential to cultivate a conscious awareness of how our desire to look influences our perceptions and interactions. By examining our relationship with visual culture, we can foster a more empathetic and responsible approach to the act of looking, ensuring that it remains a source of pleasure rather than a tool for exploitation. Ultimately, the exploration of scopophilia invites us to consider the complexities of human desire and the impact of our gaze on ourselves and others.

窥视癖是心理学和媒体研究领域的一个术语，指的是从观察中获得的快乐。这个概念在理解人类行为方面具有深远的意义，特别是在视觉文化的背景下。从小，个体就表现出对周围环境的自然好奇心，常常导致对视觉刺激的迷恋。这种对观察的天生渴望不仅仅是一种被动的活动；相反，它在塑造我们与世界的体验和互动中扮演着重要角色。窥视癖可以被视为一把双刃剑，观察的行为可以带来享受，也可能引发不适，这取决于观察的上下文和内容。 在当代社会，窥视癖通过各种媒体形式显著表现出来，包括电影、摄影和社交媒体平台。科技的出现使个体更容易参与这一观察行为，常常模糊了观察者与参与者之间的界限。例如，在观看电影时，观众不仅仅是被动地吸收叙事；他们积极参与解读和情感反应的过程。这种参与可以引发一系列情感，从快乐和兴奋到不适和窥探主义。 窥视癖的概念也引发了关于隐私和同意的伦理问题。在一个个人时刻经常在线分享的时代，观察的行为可能变得有问题。欣赏与侵犯之间的界限往往很薄弱，导致关于在未获同意的情况下观察他人的道德辩论。这在“名人文化”现象中尤为明显，公众人物不断受到媒体和公众的审视。对观察的渴望可能转变为一种痴迷，给那些被无情观察的人带来伤害。 此外，窥视癖与权力动态问题密切相关。观察的行为并不是中立的；它通常反映社会结构和等级。例如，在许多文化中，凝视是性别化的，女性在视觉媒体中常常受到男性凝视的物化。这一动态强化了刻板印象并延续了不平等，突显出对我们如何消费视觉内容进行批判性分析的必要性。在这种背景下理解窥视癖鼓励观众反思自己的行为及其消费习惯的影响。 总之，窥视癖是一个多面向的概念，包含了观察的乐趣和潜在的伦理困境。随着我们在一个充满视觉刺激的世界中导航，培养对我们观察欲望影响的意识至关重要。通过审视我们与视觉文化的关系，我们可以培养一种更具同情心和责任感的观察方式，确保观察仍然是快乐的源泉，而不是剥削的工具。最终，对窥视癖的探索邀请我们思考人类欲望的复杂性以及我们的凝视对自己和他人的影响。