serialism

简明释义

英[ˈsɪərɪəˌlɪz(ə)m]美[ˈsɪriəlɪzəm]

n. 十二音阶（作曲法）；序列主义

英英释义

单词用法

同义词

反义词

例句

1.The conclusion this dissertation has reached is that Stockhausen never in his creative career abandoned serialism, largely due to his ideas about music.

全文得出最主要的研究结论是：施托克·豪森自始至终都没有放弃序列音乐创作，而这是与他的音乐观念紧密联系的。

2.The conclusion this dissertation has reached is that Stockhausen never in his creative career abandoned serialism, largely due to his ideas about music.

全文得出最主要的研究结论是：施托克·豪森自始至终都没有放弃序列音乐创作，而这是与他的音乐观念紧密联系的。

3.Serialism and structuralism either graduate characteristics according to their resemblances, or order them according to their differences.

系列主义及结构主义要就跟据他们的类似将特性等级化，要不就依据他们的差异安排顺序。

4.The composer decided to explore serialism in his latest symphony.

作曲家决定在他最新的交响乐中探索序列主义。

5.Many modern classical pieces incorporate elements of serialism to create complex textures.

许多现代古典作品融合了序列主义的元素，以创造复杂的音色。

6.John Cage was influenced by serialism in his avant-garde compositions.

约翰·凯奇在他的先锋作品中受到序列主义的影响。

7.The use of serialism allows composers to manipulate musical elements systematically.

使用序列主义使作曲家能够系统地操控音乐元素。

8.In music theory classes, students often study the principles of serialism.

在音乐理论课程中，学生们经常研究序列主义的原理。

作文

In the realm of modern music, various compositional techniques have emerged, each contributing to the rich tapestry of sound that we experience today. One such technique is known as serialism, which has played a pivotal role in the evolution of contemporary music. To understand serialism, it is essential to explore its origins, principles, and impact on composers and musicians alike. Serialism originated in the early 20th century, primarily through the work of Austrian composer Arnold Schoenberg. Schoenberg developed this method as a means to break free from traditional tonal structures that had dominated Western music for centuries. The core idea of serialism involves the use of a series of pitches, usually organized into a specific order, which serves as the foundation for a musical composition. This series can be manipulated through various techniques such as transposition, inversion, and retrograde, allowing composers to create complex and innovative works. One of the most significant aspects of serialism is its emphasis on atonality, meaning that the music does not adhere to a central key or tonal center. This departure from tonality was revolutionary, as it opened up new avenues for expression and creativity. Composers began to explore the relationships between sounds in ways that had not been previously considered. For instance, rather than relying on conventional harmonies, they could create tension and resolution through the manipulation of their chosen series of pitches. The influence of serialism extended beyond Schoenberg and his contemporaries. Composers such as Alban Berg and Anton Webern, who were part of the Second Viennese School, further developed the technique, adding their unique perspectives and styles. Berg, for example, incorporated lyrical elements into his serial compositions, while Webern focused on brevity and precision, resulting in highly structured and concise works. This diversity within the framework of serialism showcases its versatility and adaptability. As serialism gained traction, it also sparked debates among musicians and theorists. Some embraced the challenge and complexity of this new language, while others found it difficult to connect with the seemingly abstract nature of atonal music. Critics argued that serialism stripped music of its emotional depth and accessibility, leading to a divide between audiences and performers. However, proponents of serialism contended that it offered a fresh perspective on musical expression, one that could convey profound ideas and emotions through unconventional means. In the latter half of the 20th century, serialism continued to evolve, influencing a generation of composers who sought to explore its potential further. Notable figures such as Pierre Boulez and Milton Babbitt expanded upon Schoenberg's ideas, integrating elements of mathematics and philosophy into their compositions. This intellectual approach to music-making added layers of complexity, inviting listeners to engage with the works on a deeper level. Today, the legacy of serialism remains evident in contemporary music. While some may argue that its strict methodologies have become less prevalent, the spirit of experimentation and exploration that serialism embodies continues to inspire musicians across genres. From avant-garde classical compositions to innovative electronic music, the principles of serialism can be found in various forms, pushing the boundaries of what music can be. In conclusion, serialism represents a significant milestone in the history of music, challenging traditional notions of tonality and composition. Its origins in the early 20th century, coupled with the contributions of influential composers, have shaped the landscape of contemporary music. As we continue to navigate the diverse world of sound, understanding serialism allows us to appreciate the complexities and innovations that define modern musical expression.

在现代音乐领域，各种作曲技巧应运而生，为我们今天所体验的声音丰富的织锦做出了贡献。其中一种技巧被称为序列主义，它在当代音乐的发展中发挥了关键作用。要理解序列主义，必须探索其起源、原则以及对作曲家和音乐家的影响。 序列主义起源于20世纪初，主要通过奥地利作曲家阿诺德·勋伯格的作品而发展起来。勋伯格发展了这种方法，以便摆脱几个世纪以来主导西方音乐的传统调性结构。序列主义的核心思想是使用一系列音高，通常按照特定顺序组织，这些音高作为音乐作品的基础。这一系列可以通过各种技术进行操作，例如移调、倒影和逆行，从而使作曲家能够创作出复杂而创新的作品。 序列主义的一个重要方面是它对无调性的强调，这意味着音乐不遵循中心调或调性中心。这种对调性的背离是革命性的，因为它为表达和创造力开辟了新的途径。作曲家开始以以前未曾考虑的方式探索声音之间的关系。例如，他们不再依赖传统和声，而是通过操控所选的音高系列来创造紧张感和解决感。 序列主义的影响超越了勋伯格及其同时代人。阿尔班·贝尔格和安东·韦伯恩等作曲家，作为第二维也纳学派的一部分，进一步发展了这一技巧，加入了他们独特的视角和风格。例如，贝尔格在他的序列作品中融入了抒情元素，而韦伯恩则专注于简洁和精确，导致高度结构化和简明的作品。这种在序列主义框架内的多样性展示了它的多功能性和适应性。 随着序列主义的传播，它也引发了音乐家和理论家之间的辩论。一些人接受了这种新语言的挑战和复杂性，而另一些人则发现很难与无调音乐的抽象性质建立联系。批评者认为，序列主义剥夺了音乐的情感深度和可接近性，导致观众与表演者之间产生了分歧。然而，序列主义的支持者则主张，它提供了一种新的音乐表现视角，可以通过非常规手段传达深刻的思想和情感。 在20世纪后半叶，序列主义继续发展，影响了一代寻求进一步探索其潜力的作曲家。皮埃尔·布列兹和米尔顿·巴比特等著名人物在勋伯格的思想基础上进行了扩展，将数学和哲学元素融入他们的作品。这种对音乐创作的智力化方法增加了复杂性，邀请听众更深入地参与作品。 如今，序列主义的遗产在当代音乐中依然显而易见。虽然有些人可能会争辩说，其严格的方法论已变得不那么普遍，但序列主义所体现的实验和探索精神仍然激励着各个流派的音乐家。从先锋派古典作品到创新的电子音乐，序列主义的原则可以以各种形式找到，推动着音乐的边界。 总之，序列主义代表了音乐历史上的一个重要里程碑，挑战了传统的调性和作曲观念。它在20世纪初的起源，加上有影响力的作曲家的贡献，塑造了当代音乐的格局。随着我们继续在多样的声音世界中航行，理解序列主义使我们能够欣赏定义现代音乐表现的复杂性和创新性。