shapelessly
简明释义
adv. 不成形地;无定形地
英英释义
以缺乏明确形状或形式的方式。 |
单词用法
无定形地漂浮 | |
无定形地堆积 | |
在水中无定形地 | |
无定形地无形 |
同义词
无形地 | The sculpture was created formlessly, lacking any defined shape. | 这座雕塑是无形地创作的,缺乏任何明确的形状。 | |
无定形地 | 云朵无定形地漂浮在天空中。 | ||
模糊地 | 他说话模糊不清,他的话语彼此交融。 |
反义词
例句
1.The dress hung shapelessly on her thin body.
这件衣服穿在她那瘦小的身体上显得很没型。
2.The dress hung shapelessly on her thin body.
这件衣服穿在她那瘦小的身体上显得很没型。
3.The clouds drifted shapelessly across the sky, creating a serene atmosphere.
云朵在天空中无形地漂浮,营造出宁静的氛围。
4.He sat on the couch, shapelessly slumped over with exhaustion after a long day.
他坐在沙发上,因一天的疲惫而无力地趴着。
5.The sculpture appeared shapelessly in the corner, lacking any defined form.
那座雕塑在角落里显得模糊不清,缺乏任何明确的形状。
6.As the fog rolled in, the trees stood shapelessly against the gray backdrop.
当雾气弥漫时,树木在灰色背景下显得无形地矗立。
7.The mixture of paint spread shapelessly on the canvas, creating an abstract masterpiece.
颜料在画布上无序地扩散,创造出一幅抽象杰作。
作文
In the realm of art and creativity, there exists a fascinating paradox: the beauty of the shapeless. Many artists strive to create forms that are defined, clear, and easily recognizable. However, there is also a significant movement that embraces the idea of creating works that exist shapelessly, lacking traditional structure and form. This approach invites viewers to engage with art in a more profound way, allowing personal interpretation and emotional connection without the confines of rigid boundaries. Consider the work of abstract expressionists such as Jackson Pollock or Mark Rothko. Their paintings often appear to be chaotic at first glance, with colors splattered and blended shapelessly across the canvas. Yet, within this apparent randomness lies a deep emotional resonance. The viewer is not simply looking at a beautiful picture; instead, they are invited to feel the emotions conveyed through color and movement. In this sense, the absence of shape becomes a powerful tool for expression. Moreover, the concept of the shapeless can extend beyond visual arts into literature and poetry. Writers like Virginia Woolf and James Joyce often employed stream-of-consciousness techniques that allow thoughts and ideas to flow shapelessly, mirroring the complexities of human thought. Their narratives may lack a traditional structure, but they capture the essence of life’s unpredictability and fluidity. Readers are drawn into a world where meaning is not always explicit, encouraging them to find their own interpretations amidst the chaos. In our daily lives, we often encounter situations that can be described as shapelessly ambiguous. Take, for example, the feelings we experience during moments of change or uncertainty. Life does not always present us with clear paths or defined outcomes. Instead, we navigate through feelings that swirl and blend together, often without clear resolution. Embracing these shapelessly fluctuating emotions can lead to personal growth and deeper self-understanding. Furthermore, in the context of nature, we observe how landscapes can appear shapelessly beautiful. A wildflower meadow, for instance, is not meticulously arranged but rather blooms in a haphazard manner, creating a tapestry of colors and textures. This natural disarray is what makes it enchanting; it is a reminder that beauty often lies in the unexpected and the undefined. In conclusion, the idea of being shapelessly creative, whether in art, literature, or life itself, invites us to rethink our perceptions of beauty and meaning. It challenges us to embrace ambiguity and to find value in the undefined. By allowing ourselves to explore the shapelessly intricate aspects of our existence, we can cultivate a richer understanding of both ourselves and the world around us. This journey into the shapeless can be daunting, yet it is ultimately rewarding, revealing layers of complexity that structured forms may obscure.
在艺术和创造力的领域中,存在着一个迷人的悖论:无形之美。许多艺术家努力创造出清晰、易于识别的形式。然而,也有一个重要的运动拥抱创造出无形作品的理念,这些作品缺乏传统的结构和形式。这种方法邀请观众以更深刻的方式参与艺术,让个人的解读和情感联系不受严格界限的限制。 考虑一下抽象表现主义者如杰克逊·波洛克或马克·罗斯科的作品。他们的画作初看起来往往显得混乱,颜色在画布上无形地飞溅和融合。然而,在这种明显的随机性中蕴藏着深刻的情感共鸣。观众不仅仅是在欣赏一幅美丽的画面;相反,他们被邀请去感受通过色彩和运动传达的情感。从这个意义上说,形状的缺失成为一种强大的表达工具。 此外,无形的概念可以扩展到文学和诗歌中。像弗吉尼亚·伍尔夫和詹姆斯·乔伊斯这样的作家经常采用意识流技巧,让思想和想法无形地流动,反映人类思维的复杂性。他们的叙述可能缺乏传统结构,但它们捕捉到了生活的不确定性和流动性。读者被吸引进入一个意义并不总是明确的世界,鼓励他们在混乱中找到自己的解读。 在我们的日常生活中,我们常常会遇到可以描述为无形地模糊的情况。例如,在变化或不确定时刻,我们所经历的情感。生活并不总是给我们提供明确的道路或定义的结果。相反,我们在没有明确解决方案的情况下,导航那些交织和融合在一起的感觉。接受这些无形地波动的情感可以带来个人成长和更深的自我理解。 此外,在自然的背景下,我们观察到风景可以无形地美丽。例如,一片野花草甸,并不是精心安排的,而是杂乱无章地绽放,创造出色彩和质地的拼图。这种自然的无序正是使其迷人的原因;它提醒我们,美往往存在于意想不到和未定义的事物中。 总之,无形的创造,无论是在艺术、文学还是生活本身,邀请我们重新思考对美和意义的看法。它挑战我们接受模棱两可,并在未定义中找到价值。通过让自己探索无形地复杂的存在方面,我们可以培养对自己和周围世界更丰富的理解。这段进入无形的旅程可能令人生畏,但最终是值得的,揭示了结构化形式可能掩盖的复杂层次。
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