unanimated

简明释义

英[ʌnˈænɪmeɪtɪd]美[ʌnˈænəˌmeɪtɪd]

adj. 无精打采的；无生气的

英英释义

单词用法

同义词

反义词

例句

1.Such background dreams lie dormant or unanimated until creator chooses to include or add them to the template of their dream for a particular cycle.

这些后台梦想处在静止或无激活状态，直到造物者为了一个特定的周期去选择把它们包含或加载进他们的梦想模板。

2.Such background dreams lie dormant or unanimated until creator chooses to include or add them to the template of their dream for a particular cycle.

这些后台梦想处在静止或无激活状态，直到造物者为了一个特定的周期去选择把它们包含或加载进他们的梦想模板。

3.Agents can not only be proper nouns, indefinite noun phrases, unanimated noun phrases, but also be gerunds and clauses.

施事可以是专名、不定的名词词组、非生物性名词词组，同样也可以是动名词和从句。

4.So we've got a possible explanation of the difference between an animated and an unanimated or an inanimate body to it.

于是我们得到了对，生命体与非生命体之间区别的一种可能的解释。

5.Seeing her beloved owner leave, she also feels gloomy, neglect others, and huddle up in a corner, unanimated.

学会了冷落人，她蜷在小角落里，无精打采的。

6.On a vast ocean, unanimated and hopeless men aboard a ship will be overjoyed at the sight of an island.

茫茫海上，几乎绝望时，远远瞅见岛，使死沉沉的船充满希望与欢乐。

7.The presentation was so dull that the audience appeared unanimated 无生气的 and disengaged.

演讲乏味得让观众显得无生气的，毫无参与感。

8.His unanimated 无生气的 response to the news surprised everyone.

他对这个消息的无生气的反应让所有人都感到惊讶。

9.The movie's characters were so unanimated 无生气的 that I lost interest halfway through.

电影中的角色太无生气的，让我在中途就失去了兴趣。

10.During the meeting, his unanimated 无生气的 demeanor made it hard to take him seriously.

在会议上，他的无生气的举止让人很难认真对待他。

11.The painting was beautiful, but the subject looked quite unanimated 无生气的 in the depiction.

这幅画很美，但画中的人物看起来相当无生气的。

作文

In the realm of art and literature, the term unanimated refers to something that lacks life, vitality, or spirit. It describes works or characters that do not evoke any emotional response or engagement from the audience. This concept can be particularly relevant when analyzing various forms of creative expression, such as paintings, novels, or films. When a piece is deemed unanimated, it often fails to resonate with its viewers or readers, resulting in a disconnect that diminishes the overall impact of the work. For example, consider a painting that depicts a beautiful landscape but lacks any dynamic elements or emotional depth. The colors may be vibrant, and the composition might be technically sound, yet if the scene feels flat and lifeless, one could describe it as unanimated. Such a piece may fail to inspire awe or provoke thought, leaving the viewer feeling indifferent. This lack of engagement is what makes art feel stale and uninviting. Similarly, in literature, a character that is described as unanimated might be one-dimensional, lacking complexity or development. Readers often connect with characters who exhibit growth, struggle, or profound emotions. When a character merely exists without any significant traits or motivations, they can come across as unanimated. Such characters can detract from the narrative, making the story less compelling and harder to invest in emotionally. In film, a scene that feels unanimated might be one where the actors deliver their lines without passion or where the cinematography fails to capture the essence of the moment. For instance, a romantic scene that is shot in a sterile environment, with actors who appear disinterested, can leave audiences feeling detached. The magic of cinema lies in its ability to transport viewers into different worlds, but when the content is unanimated, that transportive experience is lost. On the other hand, the opposite of unanimated is what we often strive for in artistic endeavors: liveliness, emotion, and connectivity. Artists and creators aim to breathe life into their work, whether through vibrant colors, compelling narratives, or dynamic performances. The goal is to create an experience that resonates deeply with the audience, evoking feelings of joy, sadness, excitement, or contemplation. In conclusion, understanding the concept of unanimated is crucial for both creators and consumers of art. It serves as a reminder of the importance of infusing life and energy into our expressions. Whether we are painting a canvas, writing a story, or filming a scene, we must strive to avoid the pitfalls of unanimated creations. Instead, we should aim to engage our audience, inviting them to feel, think, and connect with our work on a deeper level. Only then can we truly appreciate the transformative power of art and storytelling, allowing us to transcend the mundane and celebrate the vibrant tapestry of human experience.

在艺术和文学领域，术语unanimated指的是缺乏生命、活力或精神的事物。它描述了那些未能引起观众或读者情感反应或参与的作品或角色。当一件作品被认为是unanimated时，它往往无法与其观众产生共鸣，从而导致一种减少整体影响的脱节。 例如，考虑一幅描绘美丽风景的画作，但缺乏任何动态元素或情感深度。虽然颜色可能鲜艳，构图也可能技术上完美，但如果场景感觉平淡无生气，则可以将其描述为unanimated。这样的作品可能无法激发敬畏或引发思考，让观众感到无动于衷。这种缺乏参与感使艺术显得陈旧和不吸引人。 同样，在文学中，一个被描述为unanimated的角色可能是单一维度的，缺乏复杂性或发展。读者通常会与那些展现成长、挣扎或深刻情感的角色建立联系。当一个角色仅仅存在而没有任何显著的特征或动机时，他们可能会显得unanimated。这样的角色可能削弱叙事，使故事变得不那么引人入胜，情感投资也更困难。 在电影中，感觉unanimated的场景可能是演员毫无激情地表达台词，或者摄影未能捕捉到时刻的本质。例如，一个在无生气环境中拍摄的浪漫场景，演员看起来毫无兴趣，可能会让观众感到疏离。电影的魔力在于其能够将观众带入不同的世界，但当内容显得unanimated时，那种超越的体验就会消失。 另一方面，unanimated的对立面是我们在艺术创作中常常追求的：生动、情感和连接。艺术家和创作者旨在为他们的作品注入生命和能量，无论是通过鲜艳的颜色、引人入胜的叙述还是动态的表演。目标是创造一种与观众产生深刻共鸣的体验，激发快乐、悲伤、兴奋或沉思的情感。 总之，理解unanimated的概念对于艺术的创造者和消费者都是至关重要的。它提醒我们在表达中注入生命和活力的重要性。无论我们是在绘画、写作还是拍摄场景，我们都必须努力避免unanimated作品的陷阱。相反，我们应该努力吸引我们的观众，邀请他们在更深层次上感受、思考和与我们的作品建立联系。只有这样，我们才能真正欣赏艺术和叙事的变革力量，让我们超越平凡，庆祝人类经验的丰富多彩。